Romain is a young adult who goes to his usual friend to try something new. On a drive home laced with cocaine and something else, the music blares and the euphoric feeling is interrupted when someone who shouldn’t be on the road gets in the car. What follows is a descent into a, shall we say, zombie apocalypse in a movie that employs the one-shot with a sure and fearless hand. MadS has an uncanny aesthetic sense that harmonizes with the exquisite tension it builds. It makes sense that the last night is the maddest.