23 MAY — 02 JUNE 2024

23 MAY — 02 JUNE 2024

Kharms

Svetlana Andrianova

Russian Federation

2023, 13'

Daniil Kharms was an avant-gardist and poet of the absurd, whose short stories are transformed into chapters in this animation that emphasises the charm of this Russian writer’s surreal and enticing world.

Silvestre

INFO

PREMIERE TYPE

National

ORIGINAL TITLE

Kharms

LANGUAGE

Russian

SUBTITLES

Portuguese / English

SCRIPT

Svetlana Andrianova

SOUND

Artem Fadeev

PRODUCER

Nikolay Makovsky

SALES

Anna Ostalskaya ([email protected])

SHARE

SAME SECTION MOVIES

A Traveler’s Needs

Starring Isabelle Huppert (in her third collaboration with the director), Lee Hyeyoung, Kwon Haehyo, Cho Yunhee, Ha Seongguk — This film follows a French woman in South Korea whose behaviour is not entirely easy for those around her to understand. Dedicated to the alcoholic drink makgeolli and entertained by playing a recorder for children, she ends up discovering a special talent for teaching a little of her language through poetry.

2024, 90'

All Gucci My Broski

A moment in the bathroom can spark the imagination. In this case, the contemplations of Jonny, a normal bloke trying to figure out what he wants out of life, as he stumbles through casual encounters, alcohol-fuelled outings and everything he imagines his life in a bustling metropolis should be.

2023, 14'

An Asian Ghost Story

A history of imperialism and post-war through the most innocuous object: the wig. We start with the export of hair for wigs, which was one of the biggest sources of Asian income in Mao Zedong’s China, move on to Hong Kong’s fundamental role as a trade hub and arrive at the American embargo on what they called “communist hair”, as a way of curbing Asia’s economic growth. All this is told with an unusual sense of humor.

Netherlands / Hong Kong

2023, 37'

Between the Temples

A cantor in a synagogue named Ben is going through an existential crisis, but also a physical one, because the voice essential for his liturgical work is fading. But when his former schoolteacher returns to his life as a student for a future bat mitzvah, there’s a spark that ignites. An anxious but affectionate comedy starring Jason Schwartzman, Carol Kane, Dolly de Leon, Caroline Aaron, Robert Smigel, and Madeline Weinstein.

2024, 112'

Cidade; Campo

It is with a feeling of strangeness and unease that the film unfolds its stories about migration in opposite directions, from the countryside to the city (when Joana moves to São Paulo, near her sister Tania) and vice versa (when Flavia moves with Mara into her father’s abandoned house), with the vicissitudes that all changes bring. But it also opens the door to memory and the ghosts we carry wherever we go.

Brazil / Germany / France

2024, 116'

Direct Action

The title refers to a protest tactic that aims to achieve results by the most effective means. A portrait of an important community in France, which brings together activists, anarchists, farmers and people considered eco-terrorists by the French government. This community has already survived several onslaughts that would have wiped it out, and has even created a movement focused on climate change. The film delves into the heart of the people who make up the community.

Guillaume Cailleau, Ben Russell

Germany / France

2024, 216'

Following the Sound

A filmmaker who focuses on the art of looking and gives his characters the space to do just that, to observe the other in their stillness and fullness. This story interweaves the narratives of two people at two points in time, and they meet again when the young Haru, who works in a bookshop, pretends to ask for directions from the older Yukiko, whose melancholy captivates her intensely.

2023, 84'

Hypnosuggestion

A montage of motionless images generated by Artificial Intelligence that makes up a science fiction thriller in which the clues are our memory and subconscious and the method is hypnosis.

2023, 8'

La Chimera

Dilapidated houses, a foreign country, nothing new for Josh O’Connor (The Durrells, The Crown). This time, he’s Arthur, an archaeologist from a group searching for ancient treasures in tombs, and an Orpheus seeking his chimera, his impossible desire, despite all the rules of reality. Traveling between the concrete and the fantastical, myths unravel. With O’Connor, Carol Duarte, Vincenzo Nemolato, Alba Rohrwacher, and Isabella Rossellini.

Alice Rohrwacher

Italy / France / Switzerland

2023, 133'

Mambar Pierrette

Cameroonian Mambar Pierrette is a mother of three and a seamstress, but things aren’t easy. With a husband who doesn’t help with expenses, a machine that has to be repaired and customers who haggle over the price of the clothes she creates, the adversities keep piling up — it’s no wonder that when she receives a paycheck, she says she’s receiving oxygen. But despite everything, she will have to show the real strength of her resilience when tragedy strikes.

Belgium / Cameroon

2023, 93'

Night Shift

During the night shift, we visited a museum and a theatre. In one, a guard wanders the corridors, in the other, an actor prepares to go on stage. People and institutions become porous in their boundaries.

Hugo Radi, Kayije Kagame

2023, 23'

Ojitos mentirosos

A film that plays with deception. Trompe-l’œil is, in itself, a pictorial genre designed to play with and create elements of confusion in the viewer’s perception. The film takes us through the streets of Madrid in search of these ingredients, but it also cooks them in its own cinematic recipe.

2024, 6'

Piblokto

A look at a community in the most remote region of Russia, where the lives of the locals are linked to a food chain that involves creatures such as walruses and whales, where the harsh conditions impact on the quiet of the cemeteries or involve the appearance of a bear.

Anastasia Shubina, Timofey Glinin

Russia / United States

2023, 38'

Stone, Hat, Ribbon and Rose

The 16mm grain, the light, the colours, the framing. Brussels has never looked so beautiful as in this Eva Giolo work, which, in a delicate homage to Chantal Akerman, takes us through quiet places that would otherwise be crowded: a metro platform, a cinema, a museum.

2023, 16'

The Diary of a Sky

Lawrence Abu Hamdan reveals veiled tactics when he notices that, during the pandemic, even though air traffic over Lebanon was at a standstill, the noise caused by Israeli planes became a strong and constant hum in the lives of citizens, creating atmospheric violence.

Lawrence Abu Hamdan

2024, 45'

There is no Friend’s House

Two friends, school mates, try to break the rules, just like any other teenager in the world. These are rites of passage that countless generations have lived through. But in this case, the two friends are Iranian and society’s rules will make the consequences more painful.

2023, 19'

Tornadoes

Annabelle Amoros delves into the world of tornadoes at the heart of the United States, within communities affected by these meteorological phenomena and the ways in which capitalism has to respond to the fears of those who want to protect themselves.

Annabelle Amoros

2023, 37'

Two Wars

Jan Ijäs is a director who uses narration to transcendent effect. Here, he plays with two Italian settings of importance in the two Great Wars of the 20th century: the monastery of Monte Cassino and the connection with Ludwig Wittgenstein; the village of San Pietro and the connection with John Huston.

2024, 27'

Vermont

A couple try something that, instead of opening up their relationship to new possibilities, ends up creating a distance between them, becoming hard to think won’t become permanent. When they return from a trip out of New York, they drift apart and one of them tries to unravel their feelings.

Joseph Barglowski

2023, 20'

you burn me

It’s an adaptation of a chapter from the book Dialogues with Leuco (1947) by Cesare Pavese, which delves into the myth of Sappho (a poetess of Ancient Greece) and the nymph Britomartis, in connection with the foam of the ocean and the idea of heartbreak-induced death. Avoiding a linear narrative, components such as footnotes or extratextual information are also adapted, giving the film a poetic dimension that transcends the boundaries of the text.

Matías Piñeiro

Argentina / Spain

2024, 64'