Conheça os Júris do Festival

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Chegou a altura de conhecer o júri que vão estar presentes em cada secção!

Na Competição Internacional de Longas-Metragens, o júri é constituído por Caroline Maleville, responsável pela programação da Cinemateca Francesa desde 2009, que organiza também reuniões regulares dedicadas à criação cinematográfica contemporânea jovem; Cristina Nord, crítica de cinema, escritora e curadora alemã, e directora do Forum Berlinale desde Agosto de 2019; e Mamadou Ba, activista e militante anti-racista decolonial, dedicado às lutas pelos direitos humanos das pessoas racializadas e migrantes.

Atribuem O Grande Prémio de Longa-Metragem Cidade de Lisboa, no valor de 15.000 Euros e o Prémio Especial do Júri Canais TVCine & Séries, o qual equivale a aquisição dos direitos do filme para Portugal.
Na Competição Internacional de Curtas-Metragens, o júri é constituído por Joana Pimenta, realizadora portuguesa, actualmente directora interina do Film Study Center da Universidade de Harvard, e directora de estudos do programa de doutoramento em Critical Media Practise; Jorge Jácome, realizador de cinema, tendo o seu último filme Past Perfect (2019) sido o vencedor Grande Prémio de Curta Metragem da Competição Internacional do IndieLisboa e Melhor Filme no Festival de Hamburgo; e Nuno Rodrigues, co-fundador do Curtas Vila do Conde, e director e coordenador da Galeria Solar desde 2005.

Na Competição Nacional, o júri é constituído por Louise Rinaldi, programadora no festival Premiers Plans-Angers desde 2019; o realizador e produtor Michael Wahrmann; Núria Cubas, que se destaca como professora pela sua participação regular nas (R)evoluciones, um curso do LAV, Laboratorio AudioVisual de Criação e Práticas Contemporâneas.

Na Competição dos Novíssimos, o júri é constituído por André Miguel Ferreira, que frequenta actualmente a Pós-graduação em Fotografia e (Pós) Cinema, na NOVA — FCSH, e foi o vencedor da Competição Novíssimos na 16ª edição do IndieLisboa, em 2019; Felipe Bragança, cineasta brasileiro, colaborador constante em argumentos de filmes de realizadores como Karim Ainouz, Helvécio Marins Jr. e Marina Meliande; e a cantora moçambicana Selma Uamusse.

Atribuem o Prémio Novíssimos The Yellow Color + Portugal Film, no valor de 2.000 Euros em serviços + promoção e venda do filme vencedor.

Na Competição Silvestre, o júri é constituído por Paulo Cunha, professor de cinema na Universidade da Beira Interior, onde dirige o Mestrado em Cinema, é Doutor em Estudos Contemporâneos pela Universidade de Coimbra, e é também programador do Cineclube de Guimarães e do Curtas Vila do Conde; Marta Lança, jornalista, programadora e produtora e editora do BUALA, portal de pensamento crítico sobre o sul global, que é actualmente doutoranda em Estudos Artísticos na FCSH – UNL; Pedro Borges, que trabalha no negócio do cinema há trinta anos, tomando as rédeas da Midas Filmes desde 2006, e do Cinema Ideal desde 2014, um dos cinemas independente da cidade de Lisboa; Alexandra Ramires, licenciada em 2010 em Pintura pela Faculdade de Belas Artes da Universidade de Lisboa,  que tem trabalhado regularmente em cinema de animação desde 2009; e o pianista, compositor e orquestrador, Filipe Raposo.

Na Competição IndieMusic, o júri é constituído pela realizadora, argumentista e compositora Joana Barra Vaz; Jorge Ferraz, músico-guitarrista, compositor e produtor, fundou e liderou alguns bandas portuguesas underground desde 1983, com destaque para “Santa Maria, Gasolina em Teu Ventre!”; e Pedro Azevedo, programador do Musicbox, director do Festival Alestre e DJ nos tempos livres e, enquanto La Flama Blanca, é o anfitrião do Baile Tropical.

Há também júris não oficiais, que são parceiros do festival, atribuindo prémios consoantes categorias determinadas e com os seus próprios critérios, dentro da programação do IndieLisboa 2020.
Dentro destes, o Júri Amnistia Internacional, composto pelo actor português Ivo Canelas, a jornalista e apresentadora Rita Ferro Rodrigues e Sandra Dias Pereira, membro da direcção da Amnistia Internacional Portugal.

Júri Árvore da Vida, que atribui o prémio Árvore da Vida para Filme Português, é composto por Inês Gil, cineasta e professora de cinema; Helena Valentim, professora do Departamento de Linguística da Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa; e Padre António Pedro Monteiro, secretário provincial dos Dehonianos em Portugal, capelão hospitalar.

E o Júri do Público, que avaliará a Competição Internacional, Competição Nacional, Silvestre, Novíssimos, IndieJúnior, Boca do Inferno.

Open Air Cinema

IndieLisboa is about to start, and with it the culmination of summer and, exceptionally this year, also a post-quarantine concern of wanting to stay outdoors.

The open-air sessions take place in the usual rooms of the Cinemateca Portuguesa and at the Capitólio. From films in the Mouth of Madness section, through the International Competition, through the Silvestre section, up to the IndieMusic. Also on the terrace of the Cinemateca, already a place of summer worship for all moviegoers, there will be several open-air sessions, several of them from the retrospectives Ousmane Sembène and 50 Years Forum Berlinale. No other place in the city of Lisbon could receive Moolaadé’s outdoor screen projection.

In the IndieJunior universe, there will also be open-air cinema, and in this case, for the first time. There will be two outdoor sessions. For the youngest, there is the Tudo em Família (+3 years) session, composed of eight short films for the little ones, and which once again features the voice of Pedro Cardoso. For a more youthful audience, there will be a feature film by Edmunds Jansons, Jacob, Mimmi and the Talking Dogs, a film about a boy who, with the help of his bossy cousin and a pack of local dogs, embarks on a project not to let a greedy businessman turn a local park into a skyscraper.

Capitólio Sessions

Dreamland | Bruce McDonald, Fic. 2019 92’

After Pontypool or This Movie Is Broken (IndieLisboa 2011), Bruce McDonald’s dystopian humor and violent coolness are back. In this dreamland, modern vampires live with jazz legends and little fingers are a “good” almost as precious as the innocent girls for break-in weddings. The genius Stephen McHattie, supported by Juliette Lewis and Henry Rollins, are the actors in this bloody and modern fairy tale.

Wen. 21h30 |  Agosto August |  Buy

 

Baamum Nafi | Mamadou Dia, Fic. 2019 109’

Mamadou Dia’s first feature comes twice to us at the Locarno Festival (Golden Leopard Filmmakers of the Present and Best First Film). Filmed in his hometown, Matal in Senegal, this is the story of two brothers, Tierno and Ousmane, who are angry because of the marriage of their two children. The first wants to marry his boy to the second daughter, the beautiful Nafi. What is at stake is the spread of fundamentalism in a small community.

Thu. 21h30 | August 27 |  Buy

 

The Other Lamb | Malgorzata Szumowska, Fic. 2019 97’

Estamos no seio de uma comunidade muito singular. Um homem, conhecido como o Pastor, e o seu rebanho, composto por um conjunto de mulheres que o seguem, adoram e para ele trabalham. A fazer lembrar obras como The Handmade’s Tale (Bruce Miller) ou The Village (M. Night Shyamalan), a realizadora polaca Malgorzata Szumowska procura refletir sobre os rituais separados da civilização, mas sobretudo a lógica da dominação masculina sobre o mundo feminino.

Sun. 21h30 | August 30 |  Buy

 

Greener Grass | Dawn Luebbe, Jocelyn DeBoer, Fic. 2019 95’

Ahh … the American suburbs with their craziness and craziness. DeBoer and Luebbe – screenwriters, filmmakers and actresses from the film – bring us into this world inhabited by ferocious soccer moms, adults with teeth braces, matching pink or blue clothes, babies, dogs and children exchanges, golf cars and games of football. In this delicious dark comedy in bold tones it seems that David Lynch mated with Wes Anderson and gave birth to this film.

Mon. 21h30 | August 31 |  Buy

 

White Riot | Rubika Shah, Jocelyn DeBoer, Fic. 2019 80’

In the late 1970s, the British National Front defended extreme right-wing xenophobic positions. In response, a central element of British punk rock, the anti-racist movement Rock Against Racism, was born. Rubika Shah’s film portrays the emergence of this movement, under the impulse of music photographer Red Saunders, and to which bands such as The Clash or Sham 69 would join, at a time when a generation was challenging the status quo through music.

Tue. 21h30 | September 1 |  Buy

 

Overseas| Sung-a Yoon, Doc. 2019 90’

In a Philippine school, students learn to do housework and care for babies. The aim is to be hired to work at homes abroad. But they learn more than that. How to deal with the verbal aggression of a decompensated employer? How to react to sexual harassment? How to endure the distance and homesickness of the children who stayed in the Philippines? This is a film that reflects on modern slavery in a globalized world.

Wed. 21h30 | September 2 |  Buy

 

Show Me the Picture: The Story of Jim Marshall| Alfred George Bailey, Doc. 2019 92’

Much of what we know about the musical mythology and counterculture of the 60s owes to Jim Marshall’s images and photographic talent. Some of the best-known photographs of musicians like Bob Dylan or The Rolling Stones are his. And still remarkable moments like the last concert of The Beatles, the concerts of Johnny Cash in the prison of Folsom or Jimi Hendrix burning his guitar. This is the chronicle of life of a unique artist, on this side of his camera.
Thu. 21h30 | September 3|  Buy

 

Tudo em Família| Toda a Família, 45′ (+3 anos)

Sex. 21h90 | 4 de Setembro |  Comprar

 

Jacob, Mimmi e os Cães Falantes
Edmunds Jansons 
| Edmunds Jansons, Ani. 2019 70’

Jacob lives in the city and dreams of being an architect like his father. One day, when he has to travel for work, Jacob will spend a week with cousin Mimmi and his father. They live in a suburb of the Latvian capital, Riga. Everything seems different and calmer there. When the children realize that the park is going to be destroyed and in their place they will build tall buildings, they will try to stop the works. And they receive the precious help of a pack of special dogs.

Sat. | 21h00 | September 5 |  Comprar

 

Cinemateca Portuguesa Sessions

Forum 50 & Ousmane Sembène: O cinema como forma de reflexão e acção política  | 90’

Thu. 18h00 | August 27

 

Ceddo  | Ousmane Sembène, Fic. 1977, 109’

Ceddo is the name given to the last holders of African spiritualism before the arrival of Islam and Christianity. In a Senegalese village from the 19th century. In the 17th century, King Demba War gave in to pressure from the Islamic leader and the cedants kidnapped his daughter to prevent forced conversion to the new religion. This “micro epic”, as it was dubbed, was censored at the time and it is said that Sembène distributed, outside the cinemas, pamphlets describing the scenes removed.

Thu. | 21h30 |  August 27

 

Guelwaar  | Ousmane Sembène, Fic. 1992, 115’

This deception comedy begins with the death of Guelwaar (meaning “the nobleman”), a Catholic priest and activist. When the family comes to claim the body from the morgue, they realize that it has disappeared and that it was mistakenly buried in a Muslim cemetery. Satire to an Africa mired in small conflicts, by paralyzing bureaucracy and by confronting dogmas and religious beliefs. The fine irony and the small details reveal Sembène’s mastery.

Fri. | 21h30 | August 28

 

Emitaï | Ousmane Sembène, Fic. 1971, 103’

During World War II, the French colonialist forces of the Vichy government demanded the most precious asset that the inhabitants of the Senegalese village of Efock have: rice. The Diola ethnic minority reorganizes for resistance: while the elders pray Emitaï, the God of thunder, women, more pragmatic, hide the harvest. This story of silent resistance was censored 5 years after its debut across French-speaking Africa.

Sat. | 21h30 | August 29

 

Faat Kiné | Ousmane Sembène, Fic. 2001, 120’

Almost a decade after his last film, Sembène signs what would be the first volume of a planned trilogy on the daily heroism of African women. Faat Kiné is a single mother in a modern Dakar, full of contradictions and aspirations for change. She lives with her two children, from two ex-husbands, having to deal not only with the social pressure of her condition, but also to fight for her professional aspirations in a world dominated by the patriarchal condition.

Sat. | 21h30 | August 31

 

W.R. – Misterije Organizma | Dušan Makavejev, Fic., 84’

Tue. | 21h30 | September 1

 

Eldrige Cleaver, Black Panther | William Klein, Doc. 1970, 75’

After accusing an attempted murder, Eldrige Cleaver, a member of the Black Panther Party movement, exiles in Algeria. Director and photographer William Klein will portray a multifaceted man here, listening to his activist speech about the revolution, the struggle in America, his political rivals like Nixon or Reagan. But this is also a work beyond ideology, the portrait of a romantic revolutionary, in a lyrical and moving exile.

Thu. | 21h30 | September 3

Camp de Thiaroye | Ousmane Sembène, Fic. 1988, 157’

Perhaps Ousmane Sembène’s great masterpiece and the most intense cry of condemnation of the injustices of colonialism. In the aftermath of World War II, Senegalese soldiers return from Europe and, before returning home, are placed in the military camp at Thiaroye. In the face of poor accommodation conditions and reduced pay, soldiers revolt and are massacred at the hands of the French army. Winner of the special Jury prize in Venice.

Fri. | 21h30 | September 4

 

Moolaadé | Ousmane Sembène, Fic. 2004, 124’

Sembène’s latest film and the second in a planned trilogy on the heroism of African women. In a small Senegalese village, Collé Ardo, the second wife of a prosperous farmer, is preparing his daughter’s wedding. Here he decides to take in four girls who seek refuge in his home to escape the “purification” ritual, which consists of his genital excision. Such an attitude starts a conflict that irremediably divides the members of your community.

Sat. | 21h30 | September 5

The festival’s official app can also be downloaded, which will allow you to schedule sessions that you want to see and personalize the festival experience in the palm of your hand with access to news and additional information about the films. Access it now at indielisboa.com/app.

The festival also has a Whatsapp this year, where you can not only answer questions, but have someone on the other side who will help you navigate the program. Ask us what to see, we will give you movie tips!