This session intends to reflect on the potentialities and ruptures of the use of Artificial Intelligence algorithms in the cinematographic production chain. Is this injunction a new crisis, like the one that Cinema itself brought to Art in the 20th century, or is there something radically different in the algorithmic making that intersects with the cinematographic modes of production?
This session intends to reflect on the potentialities and ruptures of the use of Artificial Intelligence algorithms in the cinematographic production chain. Is this injunction a new crisis, like the one that Cinema itself brought to Art in the 20th century, or is there something radically different in the algorithmic making that intersects with the cinematographic modes of production?
