23 MAY — 02 JUNE 2024

23 MAY — 02 JUNE 2024

The

Dieter Kovacic, Billy Roisz

Austria

2015, 13'

With the potential to strike fear into the hearts of the toughest, this experimental film creates a collage of horror films to tell a story where “suspense” and “shock” are the keywords.

Silvestre Focus

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The

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SAME SECTION MOVIES

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AI (Love)

A Japanese avant-garde film that is a poem-made-cinema for its use of surrealist imagery, presenting a sensual look at the human body.

Takahiko Iimura

1963, 10'

Silvestre Focus

All You Can Eat

In liberative fashion, or apotheotic exorcism, a collage of moments of male sexual pleasure.

Michael Brynntrup

1993, 5'

Silvestre Focus

Allers venues

Among domestic animals, a month is spent in the countryside, in the south of France. A group of friends rents a house and enjoy the summer.

Vivian Ostrovsky

1984, 12'

Silvestre Focus

Broadcuts

A video composed of sound and visual sampling of news from around the world, made in collaboration with Painè Cuadrelli.

Claudio Sinatti

2000, 7'

Silvestre Focus

Classic Lesbian Films: Dyketactics

An exploration of the identity of the woman as a lesbian, which mixes the materiality of the film with the tangibility of the female body, creating an aesthetic of its own.

1974, 4'

Silvestre Focus

Debris

An appropriation-of-an-appropriation of videos from Instagram, YouTube, video games and public archives that (re)compose wrecked memories.

Giuseppe Boccassini

Italy / Germany

2017, 11'

Silvestre Focus

Dialogue: A Portrait of Slavoj Žižek

Žižek speaks, but his image is deconstructed until nothing, or everything, makes sense.

Colectivo Los Ingrávidos

2019, 8'

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Dream Work

Eleven minutes of confusion, in which the viewer enters a dream world where the conscious and unconscious overlap. Is it the resting woman who sinks into sleep or the film that sinks into her?

Peter Tscherkassky

2001, 11'

Silvestre Focus

Ecce Homo

Images from Jean Genet’s Un Chant d’Amour are interspersed with images of sexual scenes between men, raising questions about subversion and taboos.

Jerry Tartaglia

1989, 7'

Silvestre Focus

Eût-Elle Été Criminelle…

The end of World War II included the harrowing public punishment of women who had relationships with German soldiers during the occupation.

Jean-Gabriel Périot

2006, 9'

Silvestre Focus

FragMANts

In the slot machine of capitalism, it’s not things but consumption itself that is our god.

2019, 6'

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Intimated Diary

In the mirror, a man reveals himself, without the aesthetic armor (contact lenses, dentures) of everyday life in public.

Jean-Gabriel Périot

2000, 2'

Silvestre Focus

Journalités 1

A diary over 12 years transformed into a non-objective film that reports relevant events for the author and his relationship with the artistic and literary movement Lettrism, founded by Isidore Isou.

Frédérique Devaux

1995, 34'

Silvestre Focus

Like A Passing Train 1

The imminent danger of the passing train vortex. But it’s okay, it’s just an image on the screens that are the windows of this apartment.

1978, 3'

Silvestre Focus

Miles

A cinematic portrait of filmmaker Miles McKane, by Yann Beauvais, both Light Cone founders.

1983, 3'

Silvestre Focus

Mit Mir

A woman and her double in a caressing game.

2000, 3'

Silvestre Focus

No Film

Michael Brynntrup’s first internet-related film is a one-minute ode to rhythm in the age of reproducibility. Would Walter Benjamin approve?

Michael Brynntrup

2000, 1'

Silvestre Focus

Notebook

A frenetic and personal film, marked by the randomness of the subjects, like a notebook of thoughts collected over time.

1963, 10'

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Or Anything at All Except the Dark Pavement

Everything seems strange until, in a two-folded tracking shot, the beauty of the night is revealed.

2011, 5'

Silvestre Focus

Prelude

The solitude in the midst of the crowd that walks in a space with no indication of its location, with no sounds. Only the fragments of dialogue captured by a self-learning program give the images a narrative.

2007, 3'