29 APRIL — 09 MAY 2027

INDIELISBOA 2026

Silvestre
IndieLisboa 2026

Lover, Lovers, Loving, Love

What Jodie Mack does with images seems to elude the realm of concrete things — or at least to grant it another temporality, another light, as if unfolding within a dream, through a singular and wholly experimental montage. In Lover, Lovers, Loving, Love, the British filmmaker composes a loving and erotic choreography among flowers and petals rescued from her own garden.
Jodie Mack
United States

2025, 14'

International Competition
IndieLisboa 2026

Loynes

Following the acclaimed Sun Dog (2020), this is the second film by Dorian Nour Jespers, a young Belgian filmmaker with a certain flair for the absurd. In Loynes — which premiered at Cannes’ Quinzaine des Cinéastes — a corpse goes on trial in 19th-century Liverpool.
Dorian Jespers
Belgium / France / North Macedonia / United Kingdom

2025, 25'

Cinema at the Pool
IndieLisboa 2026

Luce and the Rock

A circular village begins its day as usual and Luce soon starts playing, adding small stones to her collection. Behold, an unexpected guest arrives and is not very well received: a huge rock that blocks all doors. But is it just a stone, or something else?
Britt Raes
Belgium / France / Netherlands

2022, 13'

Director’s Cut
IndieLisboa 2026

Mamma

Gerd Osten was an important Swedish film critic who ultimately turned to that profession after numerous failed attempts to become a filmmaker. In Mamma, Suzanne Osten—her daughter, who unlike her mother would go on to become a filmmaker and a central figure in her country’s cultural life—tells the story of a woman (clearly based on Gerd) who, between the late 1930s and the 1940s, persistently tries to make films in a Sweden occupied by Nazi Germany.
Suzanne Osten
Sweden

1982, 91'

Retrospective
Mockumentary Retrospective
IndieLisboa 2026

Man Bites Dog

A pair of filmmakers become fascinated with Ben, a serial killer who seems to them the perfect subject for their documentary. His everyday life proves to be bloody, and with camera in hand the film becomes complicit in his macabre crimes. A cult work, controversial upon its release, it reflects on the ethics of the media and the elasticity of their limits.
Rémy Belvaux, André Bonzel, Benoît Poelvoorde
Belgium

1992, 96'

Mockumentary Retrospective
Retrospective
IndieLisboa 2026

Marcel the Shell with Shoes On

Everything about Marcel is adorable: the tone of his voice, his shoes, his hopefulness. The tiny shell lives with his grandmother in a bright and comfortable apartment, yet his heart cannot rest: under mysterious circumstances, the two lost contact with the rest of their family. Their course is about to change. A filmmaker passing through the Airbnb where Marcel and his grandmother live posts a short film about the endearing shell online, and it quickly goes viral. The odyssey begins.
Dean Fleischer Camp
United States

2021, 90'

Cinema at the Pool
IndieLisboa 2026

Marmalade

Sometimes, if you want to become a hero, you just have to fly.
Radostina Neykova
Bulgaria

2020, 5'

IndieJúnior
IndieLisboa 2026

Me and You and Smoke

With an aesthetic rooted in hand-painted imagery, Me And You and Smoke is an imaginative and sensitive animated film, marked by a distinctive sense of humor. As a fire breaks out, a boy’s obsession with his love interest ignites and grows out of control.
Rachel Shiloach
United Kingdom

2025, 8'

Retrospective
Mockumentary Retrospective
IndieLisboa 2026

Memory of Princess Mumbi

Umata, Africa, 2093. The landscape is enchanting, even though, many years ago, a bloody war here destroyed generations. Kuve’s journey is driven by the desire to make a film about the consequences of that conflict, and it is in this process that he meets Mumbi, an aspiring actress who tries to dissuade him from using Artificial Intelligence in his work. From that point on, it is the film, it is love — it is everything at once. 
Damien Hauser
Kenya / Saudi Arabia / Switzerland

2025, 79'

Silvestre
IndieLisboa 2026

Merrimundi

The eerie chant of a decaying choir of cherubs heralds a utopia. A machine — not quite a machine — unveils its own vision of paradise. Merrimundi is the latest film by Niles Atallah whose recent work has delved deeply into post-apocalyptic aesthetics.
Niles Atallah
Chile

2025, 21'

Cinema at the Pool
IndieLisboa 2026

Monsieur Hulot’s Holiday

Jacques Tati is one of those incomparable names when it comes to cinema. This film is among his most brilliant gems; it is here that Mr. Hulot is born. The master of comedy brings him into the world and immediately places him in the most sandy of settings: a seaside resort where the character proceeds to spread chaos. Holidays always demand their share of mishaps.
Jacques Tati
France

1953, 83'

National Competition
IndieLisboa 2026

Monstro

Alex witnesses his best friend being attacked, but an intimate secret keeps him from speaking up.
Nuno Baltazar
Portugal / Egypt

2026, 21'

Cinema at the Pool
IndieLisboa 2026

Monty Python and the Holy Grail

The years go by, but Monty Python endure. It’s never too often to return to the most iconic comic sextet in British history. And, being the good Britons they are, in 1975 they turned their attention to the legend of King Arthur and the quest for the Holy Grail. One of those comedy classics that goes well with just about anything. The film is directed by Terry Gilliam and Terry Jones.
Terry Gilliam, Terry Jones
United Kingdom

1975, 92'

Director’s Cut
IndieLisboa 2026

Murdering the Devil

From 1970, presented here in a newly restored version, Ester Krumbachová’s film—by a key figure of the Czech New Wave and co-writer of the essential Daisies, by Věra Chytilová—revolves around Ona, a forty-year-old single woman whose life has not turned out quite as she had hoped; a marriage would be the bare minimum. She then recalls an old flame who, in his present form, happens to be the Devil. If at first this does not seem to trouble Ona, the conversation soon takes a different turn.
Ester Krumbachová
Czechia

1970, 75'

Silvestre
IndieLisboa 2026

My Wife Cries

If only words could soften the distance between people. Unfortunately, that is not always the case. Such is the situation for Thomas and Carla, whose relational rift deepens after Carla is involved in a car accident while travelling with her dance partner to view a house in the countryside.
Angela Schanelec
Germany / France

2026, 93'

National Competition
IndieLisboa 2026

Nabia

Based on the legend of NABIA, the goddess of rivers and waters in Galician-Portuguese mythology, a wordless allegorical narrative unfolds, celebrating the integration of human cycles into natural cycles, to the extent that harmony allows.
Sabrina D. Marques
Portugal

2025, 16'

IndieMusic
IndieLisboa 2026

Newport and the Great Folk Dream

There was a time when music festivals were defining spaces. The Newport Folk Festival, in Rhode Island, was as much about music as it was about activism. Set between the 1963 and 1966 editions of the event, this film unveils a new generation of American folk music, marked by the rise of artists such as Joan Baez, Johnny Cash, and Bob Dylan. In 1965, Dylan shocked the world by performing three songs with an electric guitar, abandoning his acoustic approach in a moment that would become etched in the history of music.
Robert Gordon
United States

2025, 99'

Brand New
IndieLisboa 2026

Night shift

Lia is a shy girl who works in a convenience store. Although she asked to be transferred to the night shift to avoid serving customers, she discovers that the night clientele is even stranger.
Pedro Cunha
Portugal

2025, 3'

Smart7
IndieLisboa 2026

No Ghosts on Good Street

Siblinghood is a bond like no other. Jana, Nastka, Franek and Benek are four siblings on the threshold of adulthood, each grappling with their own anxieties and tangled stories — one believes they are haunted by a strange little monster, another faces troubles with drugs, while another tries to clear the fog of love. One thing is certain: within this web, no movement is ever truly isolated.
Emi Buchwald
Poland

2025, 90'

Silvestre
IndieLisboa 2026

Normal Planet

The trio of filmmakers met at the École des Beaux-Arts de Montpellier, where they soon founded a research collective exploring the intrusion of reality into online video games. After several films delving into this relationship, they arrive at Normal Planet, where a virtual museum welcomes visitors embodied by extravagant avatars. 
Quentin L'helgoualc'h, Ekiem Barbier, Guilhem Causse
France

2026, 30'

IndieJúnior
IndieLisboa 2026

Nutissimo

It is autumn, and a squirrel busies itself preparing its stores for the coming winter. In the process, it discovers a missing nut — only to come face to face with a brazen crow. What follows is a wild chase through the forest.
Nicolas Bianco-Levrin, Julie Rembauville, Maxence Camelin
France

2025, 3'

National Competition
IndieLisboa 2026

o

For as long as she remembers, Francisca lives with an inexplicable and uncontrollable aversion to belly buttons. Nothing makes her more anxious than this simple part of the body and the shapes in the world that resemble it. When therapy isn’t enough to solve her cherished phobia, Francisca turns to other types of methods — without any scientific basis and not recommended for anyone who suffers from the same condition.
Francisca Alarcão
Portugal

2026, 14'

Mouth of Madness
IndieLisboa 2026

Obsession

For Bear, Nikki isn’t just his childhood friend — she’s the love of his life. But confessing his feelings becomes a puzzle of its own: shyness, and the fear of hearing “no.” He turns to a drastic solution — buying a One Wish Willow, a vintage toy from the 1960s that grants a single wish. The problem is that once a wish is granted, there’s no undoing it, and Nikki’s unconditional love soon begins to reveal a sinister side.
Curry Barker
United States

2025, 108'

National Competition
IndieLisboa 2026

Of Love and Folklore

When I look at my love, he looks at the boy in front of him, but we only see each other’s backs. Never the face. Because we’re not all dancing together. We’re in pairs. And in this dance, my love doesn’t exist. I drag him into it, but only his back. And it was his back that I fell in love with. His broad back, dressed in the most beautiful costume in the world, which is all the costumes he wore.
Miguel De
Portugal

2026, 17'

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