23 MAY — 02 JUNE 2024

23 MAY — 02 JUNE 2024

Will My Parents Come to See Me

Mo Harawe

Germany / Austria / Somalia

2022, 28'

A young, too young, prisoner responds that he wants meat and a coke for his last supper. But the film’s title is the only question that really haunts his soul.

Silvestre

INFO

PREMIERE TYPE

National

ORIGINAL TITLE

Will My Parents Come to See Me

LANGUAGE

Somali

SUBTITLES

English

SCRIPT

Mo Harawe

CAST

Xaliimo Cali Xasan, Shucayb Abdirahman Cabdi, Maxamed Axmed Maxamed, Mohamed Hirsi, Yasra Geenyada Madaw, Faysal Colaad Muxumed, Guuleed Xasan Saleebaan

PHOTOGRAPHY

Steven Samy

SOUND

Mohamed Abdinur Isse

EDITING

Alexander von Piechowski

PRODUCER

Mo Harawe, Alexander von Piechowski, Nuh Musse Berjeeb, Ahmed Farah

SHARE

SAME SECTION MOVIES

1970

A protest told from the perspective of the oppressors. In 1970s Poland, rising prices caused workers to strike and street protests grew, creating unbearable tension. The viewer is, however, listening to telephone conversations (which paint the picture of the moment with the help of animations) of the men that are deciding how to suppress the rebellion.

2021, 70'

An Ambush in Suspense

The intriguing presentation of a series of objects — such as white plastic chairs — that are placed before the spectator before being destroyed in unusual ways, as with trees collapsing on top of them.

Simon Quéheillard

2021, 17'

At Least I’ve Been Outside

The director is close to a nudist beach with his camera, looking for someone who wants to be filmed. The search is not easy.

2021, 5'

Bird in the Peninsula

A hypnotic film that starts with a group of young men dancing, trying to follow the teacher’s instructions. An initiation ritual forbidden to girls. Even if one is peeking.

2022, 16'

National Competition Silvestre

By Flávio

Márcia would like to be an influencer on Instagram, but also to hang out with rapper Da Reel Chullz. However, there’s a tiny obstacle, her son Flávio.

Pedro Cabeleira

Portugal / France

2022, 27'

Camouflage

The mother of writer Félix Bruzzone disappeared in 1976 from Campo de Mayo, one of the main clandestine detention centers of the then established Argentinian dictatorship. Today, it is one of the largest military units in the country. Bruzzone is determined to find someone to help him explore this space, a symbol of a very particular and also collective pain — his experiences inspire Jonathan Perel, who accompanies him.

2022, 93'

Churchill, Polar Bear Town

The town of Churchill, Canada, becomes a hotspot for polar bears from October to November. This fact gives rise to both tourism, the possibility of seeing a bear up close, and unexpected attacks, blurring the line between civilized and wild.

Annabelle Amoros

2022, 38'

Coma

When the pandemic changed all plans, Bertrand Bonello took a handful of actors (and the voice of Gaspard Ulliel) to make socially distant cinema and Coma is an ode to what it’s like to be stranded at home A film dedicated to his daughter, whose on-screen persona spends the day looking at small screen of a phone, making the most of all the possibilities that this mini-mirror offers for us to feel connected to the world. Until what is real and what is narrative collide resoundingly. What matters is that it’s #content.

Bertrand Bonello

2022, 80'

Constant

A film about something as seemingly simple as the issue of measurement reveals something insidious about the existing systems. And a line is drawn between the standardization of how something is measured to systems of power, democracies and censorship

Sasha Litvintseva, Beny Wagner

Germany / United Kingdom

2022, 40'

Convenience Store

Mukhabbat, a young and vulnerable immigrant from Uzbekistan, is the figure through which this film explores modern forms of slavery: when circumstances and lack of civil rights are so violent that people work without any pay. In Convenience Store, Mukhabbat works under these abusive conditions. Until the day when despair drives her to action. Images of violence against women that can be considered sensitive.

Michael Borodin

Russia / Slovenia / Turkey

2022, 106'

Cow

If cinema is a machine that generates empathy, as Roger Ebert said, this is evidence of that. There are few words in this documentary by Andrea Arnold (American Honey, Big Little Lies), her first foray into the genre, but they’re not really necessary. We follow the life of cow Luma in a mechanised farm environment, since her early calf-hood to the end of her life. Images of animal treatment that may be considered sensitive.

2021, 94'

Cucumbers

Simon is successful. Simon is a photographer. Simon has the life he wants. Until he starts seeing cucumbers everywhere.

Leonid Shmelkov

Russia / France

2021, 16'

Detours

The detours from the title are more like treasure-hunts to which Denis subjects his clients, who only want the stashes of drugs he’s hiding in the melancholic landscapes of Moscow. Everywhere is a place he could add to this game, although we lose sight of this naughty guide to visit other figures that populate the city. Between the anonymity of the Darknet and policing and oppression, this city contains multiple dimensions.

Ekaterina Selenkina

Russia / Netherlands

2021, 73'

Glass Life

Sara Cwynar is a multifaceted contemporary artist and Glass Life is a journey through her image archive that becomes a commentary on consumption and our visual culture, in a frenzy of artworks, food photographs and emojis.

2021, 19'

How Do You Measure a Year?

Every year, on his daughter’s birthday, the father films her answers to the same questions. As we watch the girl grow, from baby to adult, we also see the evolution of the relationship between father and daughter.

2021, 29'

Iizuna Fair

This 360º video installation, commissioned by the Nagano Art Museum, a moving painting, breaking or enhancing the link between painting and film, with sublime images reveling in the profusion of details.

Sumito Sakakibara

2021, 12'

Incredible But True

It could be the beginning of a horror movie. A couple, Alain and Marie, begin the film by explaining that they cannot explain what is happening to them. Everyone will think they’re crazy. That’s how a horror movie starts, right? The crux of the matter may lie in the enigmatic tunnel that exists in the cellar of their new home. But maybe it’s not a horror movie. It’s hard to explain.

Quentin Dupieux

France / Belgium

2022, 74'

Masks

A filmic contemplation on the use of masks, the faces of our loved ones and the rituals we create to feel connected to what comes after death.

Olivier Smolders

2021, 23'

Nosferasta: First Bite

Nosferasta is a film co-written by and starring Rastafarian artist and musician Oba, which imagines a very particular origin story and reckoning with colonialism. We follow Oba from the time he was bitten by the vampire Christopher Columbus in 1492 to his current post-vampiric existence.

Adam Khalil, Bayley Sweitzer

2021, 33'

Penalty Shot

Two kids kick a ball around, dreaming of one day playing for their favorite football team. The arrival of older teenagers turns the afternoon into a bitter ordeal.

Croatia / Slovenia / Austria

2021, 15'