23 MAY — 02 JUNE 2024

23 MAY — 02 JUNE 2024

The Wrong Man

Alfred Hitchcock

United States

1956, 105'

One of Jean-Luc Godard’s favourites. A noir filmmaker in his own right, this Hitchcock feature is based on real events and one of the inspirations for Martin Scorsese’s Taxi Driver. Here, we deal with a case of mistaken identity. Henry Fonda is Manny, a man who sees his life fall apart when he’s mistaken for a criminal. Film showcased in dialogue with ragtag, by Giuseppe Boccassini.

Director’s Cut

SCREENINGS

May 02, Tuesday, 19:00 (105')

Cinemateca Portuguesa, Room Félix Ribeiro • C.739

INFO

ORIGINAL TITLE

The Wrong Man

LANGUAGE

English

SUBTITLES

Portuguese

SCRIPT

Maxwell Anderson, Angus MacPhail

CAST

Anthony Quayle, Vera Miles, Henry Fonda

PHOTOGRAPHY

Robert Burks

SOUND

Earl Crain Sr.

EDITING

George Tomasini

PRODUCER

Herbert Coleman

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SAME SECTION MOVIES

Director’s Cut

As Ruínas no interior

It’s the Second World War, during Easter 1943. A bourgeois family enjoys their holidays, a Belgian family takes refuge from the war. Until the children find the survivors of a fighter plane that fell into the sea. An allegorical sci-fi film that emerges during PREC (and, in the meantime, forgotten). Now shown in a new digital copy, the result of a carte blanche to Rui Nogueira, who programmed the film as director of the Jeune Cinéma festival.

José de Sá Caetano

1976, 110'

Director’s Cut

Damned Queers

An anthology about homosexuality and homophobia created by a group of gay Swedish filmmakers who, in the 1970s, decided to film their everyday life and intimacy.

1977, 21'

Director’s Cut

GeoMarkr

A film that brings two worlds into dialogue with each other: that of the online game GeoGuessr (where locations are deduced through Google Street View images) and that of Chris Marker’s filmography, the filmmaker and multimedia artist, deeply fascinated by digital technology and traveling.

Chloé Galibert-Laîné

2022, 22'

Director’s Cut

Jeune Cinéma

In the mid-1960s, on the Côte d’Azur, specifically in Hyères, the International Festival du jeune cinéma takes place. The festival ended in the early 1980s and its history is now told through archive footage that shows the directors who passed through (from Akerman to Carax), the press, the chaotic audience. A portrait of a festival and of a cinephile culture. One of the directors was the Portuguese Rui Nogueira, who will be present at the second screening of the film.

Yves-Marie Mahé

2022, 74'

Director’s Cut

Prejudice & Pride – Swedish Film Queer

Eva Beling draws on 100 years of Swedish cinema history to take the audience on a journey where the lens is from a queer perspective, revealing portrayals of gay and transgender people to the present day. The cinematic journey begins with Mauritz Stiller, goes through Greta Garbo, Mai Zetterling, Ingmar Bergman and the sexploitation of the 1970s all the way to contemporary cinema.

2022, 100'

Director’s Cut

Private Footage

The director comes into possession, through a serendipitous internet purchase, of a roll of 16mm film belonging to an unknown family. This film becomes an investigation, through a post-colonial perspective, using digital tools and the clues that the film offers, to deconstruct and investigate the origin of the material and the socio-political and historical context that surrounds it, namely the Apartheid in South Africa.

Janaína Nagata

2022, 90'

Director’s Cut

ragtag

A film that takes images from hundreds of film noirs, mostly but not only American, to create a chronological collage of intriguing and captivating moments that, dislocated from their context, build new visual landscapes. An iconoclastic zig-zag through the material of cinema, which becomes an essay on the tropes and recurrences of one of the most striking genres in the history of cinema.

Giuseppe Boccassini

Italy / Germany / France

2022, 84'

Director’s Cut

Staging Death

A montage of all the deaths that iconic actor Udo Kier has played in five decades of appearing in films and television series. From deaths in blockbusters and auteur films to children’s series, Kier has died in every possible way on screen, and this is Jan Soldat’s tribute to him. And death becomes him.

2022, 8'

Director’s Cut

The Devil Queen

António Carlos Fontoura directed this queer horror film in 1974, which has since become a cult classic (now presented in a restored copy). The Queen Diaba (played by Milton Gonçalves, 1933-2022) is the one who controls, from the backstage of a brothel, the organised crime in the city. With matte eye shadow and a razor ready to dominate (legs or traitors), her authority over the cartel will be called into question and war is imminent.

Antonio Carlos da Fontoura

1973, 99'

Director’s Cut

The Eden of la Ciotat

The first episode of the documentary series Cinémas Mythiques focuses on the Éden theater in the French town of La Ciotat, the first cinema theater in history. Critic Alain Bergala explores the relationship of this city and this cinema to the brothers Auguste and Louis Lumière, accompanying another pair of filmmaker brothers, Jean-Pierre and Luc Dardenne, on a tour of this and other iconic spots, such as the train station where the most famous train arrival was filmed.

2022, 53'

Director’s Cut

The Film You Are About To See

A film that collects the images that are disclaimers or contextualizations of films prior to the film starting: from the notice of being based on a true story to anti-piracy warnings. The links between law and creative freedom may only be incidental. Please be alerted that this film may contain warnings.

Maxime Martinot

2023, 11'

Director’s Cut

The Pioneers of Cinema in Portuguese Language

An introduction to the cinema made by Lusophone women, around the world, which functions as the pilot episode of a series that’ll be directed by Luísa Sequeira — who had made a documentary on Bárbara Virgínia (Who is Bárbara Virgínia?, 2017), the first Portuguese director and the first woman to present a feature film at Cannes. The film is narrated by a fictional Virginia, played by Joana Linda, as she also did in Sequeira’s feature film.

Luísa Sequeira

2023, 15'