In Medusa, Anita Rocha da Silveira’s Brazil is a state dominated by the forces of Christianity and fascism, where a group of young evangelicals function as a force of oppression, attacking any woman they consider “impure” or threatening in the face of the dogma they glorify. But not everything goes without resistance, even within this group of zealots, and Mariana, a young nursing student, begins to question everything she believes in.

A musical that has as its literal unsung heroes those who make home deliveries, usually through apps that don’t see the well-being of employees as a priority. The motto is a simple dream: buying a motorcycle, so that the work is made easier.

A political mockumentary that, with cheeky humour, never talks about politics. It is impossible to dislike Rose, who is occupying a recently abandoned house. The previous owner’s belongings are still there and the new “tenant” says she’s only taking care of the house, for which she feels an affinity.