\n<\/b>English<\/em>
\nPOSTPONED:<\/strong><\/span>September 2 at 17:00 | <\/b>online via Facebook<\/a>
\n<\/b>The popularity of streaming services has been destroying the \u201chome cinema\u201d market. However, the desire to own the media that one consumes has led to the boom of the vinyl record and film collecting, particularly special boutique editions. It would not be a finished conversation without talking about piracy and film sharing in circles of cinephilia. One has to have taste, and good taste.<\/p>\n
Moderated by:<\/strong> Ricardo Vieira Lisboa<\/p>\n With:<\/strong> Pip Chodorov, Adrian Martin THE POWER OF PROGRAMMING: THE IMPORTANCE OF THE APPEARANCE OF MORE INDEPENDENT CINEMAS IN PORTUGAL Moderated by:<\/strong> Jos\u00e9 Manuel Dam\u00e1sio<\/p>\n With:<\/strong> Candela Varas, N\u00c9GRITUDE, IDENTITIES AND HUMAN RIGHTS Moderated by:<\/strong> Fernanda Rollo<\/p>\n With:<\/strong> Bruno Sena Martins, Explore the documentation that can be found at the M\u00e1rio Soares e Maria Barroso Foundation, on the life and career of Sarah Maldoror, here<\/a>.<\/p>\n <\/p>\n SARAH MALDOROR’S CINEMA with Annouchka de Andrade With:<\/strong> Annouchka de Andrade, Maria do Carmo Pi\u00e7arra, FEMALE DIRECTORS: SPOTLIGHT ON PORTUGUESE CINEMA Moderated by:<\/strong> Mariana Liz<\/p>\n Com:<\/strong> Anastasia Lukovnikova, AFTER THE FESTIVAL RUN, WHERE DO SHORT FILMS GO? Moderated by: <\/strong>Ana David<\/p>\n With:<\/strong> Michiel Philippaerts,
\nAnette Dujisin<\/p>\n
\n<\/b>English
\n<\/em>August 31 at 17:00 | <\/strong>online via Facebook<\/a>
\nArt house theatres and the work of film clubs and festivals as alternative exhibition circuits are important for the films they show, both for the audiences they create and nurture and for the inherent dynamization of the areas where they are located. There has never been a greater need for these kinds of theatres than now. How can this expansion be carried through? We will explore spaces in the European context and take the pulse of Portuguese theaters.<\/p>\n
\nPedro Borges, Ramiro Ledo<\/p>\n
\n<\/strong>Portuguese \/ <\/em>SIGN UP NECESSARY<\/b><\/a>
\nSeptember 2 at 17:00<\/strong> | online via Zoom<\/a>\/ M\u00e1rio Soares and Maria Barroso Foundation Gardens
\nThe roundtable N\u00e9gritude, identities and human rights<\/em>, promoted by the M\u00e1rio Soares and Maria Barroso Foundation, recalls structuring topics in Sarah Maldoror\u2019s cinematographic work to discuss the issues of racism and discrimination in Portugal, the hate speeches, the colonial heritage and inequalities in access to democratic participation.
\nCapacity at M\u00e1rio Soares and Maria Barroso Foundation Gardens:<\/strong> 25 people<\/p>\n
\nJorge Vala, Annouchka de Andrade<\/p>\n
\n<\/strong>Portuguese<\/em>
\nSeptember 3 at 18:00<\/strong> | Cinemateca Portuguesa Terrace
\nA roundtable around IndieLisboa 2021\u2019s retrospective. Based on Maldoror’s work, we will reassess and continue her political, social and ethnographic study. Decisive work in the struggles against colonialism and revolutionary movements that aimed to promote black culture. Now more than ever, the previously filmed and discussed topics are still unresolved.<\/p>\n
\nMarta Lan\u00e7a, Raquel Schefer, Joana Ascens\u00e3o<\/p>\n
\n<\/b>Portuguese<\/em>
\nSeptember 4 at 17:00 <\/b>| Online via Facebook<\/a>
\nIn 2020, the most discussed and awarded films, nationally and overseas, were directed by two women: Ana Rocha de Sousa\u2019s Listen<\/em> and Catarina Vasconcelos’ The Metamorphosis of Birds<\/em>. <\/i>The Three Female Directors<\/em>program with films by Sofia Bost, Mariana Gaiv\u00e3o and Leonor Teles and the features Amor Fati by Cl\u00e1udia Varej\u00e3o and Listen<\/em> welcomed the Portuguese audience back to the theaters. It is necessary to keep on working and showcasing the cinema made by women in Portugal.<\/p>\n
\nSusana Nobre, Tota Alves, Filipa Reis<\/p>\n
\n<\/strong>English<\/em>
\nSeptember 5 at 17:00<\/strong> | Online via Facebook<\/a>
\nThere is without a doubt, a challenge in distributing and selling short films and taking them to other audiences that are not the festival-goers, but recent cases in Portugal prove otherwise. We\u2019re talking about the 2017 program Three New Portuguese Shorts<\/em> and the most recent, Three Female Directors<\/em> which is being shown outside our country. What future might short films have after or even during their festival run?<\/p>\n
\nCatherine Colas, Wouter Jansen<\/p>\nINDUSTRY SCREENINGS<\/h2>\n
![\"\"](\"https:\/\/indielisboa.com\/wp-content\/uploads\/2022\/11\/Tavola-de-Rocha.jpg\" "\\"\\"")
The Lisbon Screenings<\/strong><\/a> and the Portuguese Film Fund<\/a>,<\/strong> portuguese film screenings for international professionals, are currently happening. The feature films Around Rocha’s Table<\/em><\/a><\/strong> by Samuel Barbosa and Granary Squares<\/em><\/a><\/strong> by Gon\u00e7alo Lamas (world premiere) are also part of the festival’s programme. The short films Blindman’s Buff<\/a><\/strong> by Tom\u00e1s Paula Marques, What Remains<\/em><\/a><\/strong> by Daniel Soares and Sleep Tight<\/em><\/a><\/strong> by Catarina Ruivo will have their world premieres in this edition’s National Competition.<\/p>\nPORTUGUESE FILM FUND & PLOT<\/h2>\n