{"id":10463,"date":"2021-06-08T12:13:50","date_gmt":"2021-06-08T11:13:50","guid":{"rendered":"https:\/\/indielisboa.com\/indiemusic-2021-programme-points-a-bigger-focus-to-individual-stories\/"},"modified":"2021-06-08T12:13:50","modified_gmt":"2021-06-08T11:13:50","slug":"indiemusic-2021-programme-points-a-bigger-focus-to-individual-stories","status":"publish","type":"post","link":"https:\/\/indielisboa.com\/en\/2021\/06\/08\/indiemusic-2021-programme-points-a-bigger-focus-to-individual-stories\/","title":{"rendered":"IndieMusic 2021: Programme points a bigger focus to individual stories"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">From Ney Matogrosso, St. Vincent and Matthew Herbert to Poly Styrene and Shane MacGowan, IndieMusic&#8217;s programme, the IndieLisboa section that merges cinema and music, points a bigger focus to individual stories this year, from international and national punk icons, artists that reinvented themselves and others who are ready to be revealed. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">These are stories to be discovered between August 21 and September 6, during the 2021 edition of IndieLisboa, which this year returns once again to Cinema S\u00e3o Jorge, Culturgest, Cinemateca Portuguesa and Cinema Ideal.\u00a0<\/span><\/p>\n<p><iframe title=\"IndieMusic2021 | Programa\u00e7\u00e3o\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/qllHcx9Yuas?start=3&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Shane MacGowan and Poly Styrene were born on the same year, 1957, and became big names of punk.<\/span><\/p>\n<p><b><i>Crock of Gold: A Few Rounds with Shane MacGowan<\/i><\/b><span style=\"font-weight: 400;\"> traces the biography of The Pogues leader, inspired poet and irresistible performer, crossing film archive, interviews with MacGowan and conversations with different characters (from Gerry Adams, former president of Sinn F\u00e9in, to Nick Cave or Bobby Gillespie).\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In\u00a0<\/span><b><i>Poly Styrene: I Am a Clich\u00e9 ,\u00a0<\/i><\/b><span style=\"font-weight: 400;\">the opening of Poly&#8217;s artistic archives, punk icon and X-Ray Spex vocalist, comet that shook the British musical scene at the end of the 70s and that served as inspiration for the movements riot grrrl and afropunk.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Ney Matogrosso, St. Vincent and Matthew Herbert are three chameleons, from reinvention to reinvention.\u00a0<\/span><\/p>\n<p><b><i>Ney \u00e0 Flor da Pele<\/i><\/b> <span style=\"font-weight: 400;\">is a visual anthology, composed by archive footage, of performances and words by the Brazilian artist, from the time of Secos e Molhados until today.\u00a0<\/span><\/p>\n<p><b><i>The Nowhere Inn<\/i><\/b> <span style=\"font-weight: 400;\">is an inspired and fun mockumentary, that takes advantage of the real friendship between\u00a0Carrie Brownstein\u00a0 (from Sleater-Kinney and the series Portlandia) and Annie Clark (aka St. Vincent), in a confront of creative forces to film a documentary about the life of St. Vincent.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Matthew Herbert is one of the most versatile and visionary conceptual artists of our time.\u00a0<\/span><b><i>The Symphony of Noise\u00a0<\/i><\/b><span style=\"font-weight: 400;\">follows the creative process of the musician, showing how Herbert thinks and makes music with sounds and noises of daily life.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>In the field of discoveries, there is space to get to know<span style=\"font-weight: 400;\">\u00a0Ilhan Mimaroglu, John Cohen and Patrick Cowley.\u00a0<\/span><\/p>\n<p><b><i>Mimaro\u011flu: The Robinson of Manhattan Island\u00a0<\/i><\/b><span style=\"font-weight: 400;\">is a portrait of\u00a0Ilhan Mimaro\u011flu, the little known composer of electronic music and Turkish Avant-Garde, and his wife,\u00a0G\u00fcng\u00f6r, who was connected to the North-American civil rights\u00a0movement, after they migrated there in 1959.\u00a0<\/span><\/p>\n<p><b>Different Johns<\/b><span style=\"font-weight: 400;\">\u00a0is a portrait of John, folk musician and founder of\u00a0New Lost City Ramblers, but also photographer, filmmaker and anthropologist with a singular role in the register and collaboration with\u00a0Jack Kerouac, Woodie Guthrie, Allen Ginsberg, Robert Frank and a young Bob Dylan.\u00a0<\/span><\/p>\n<p>The music producer\u00a0<span style=\"font-weight: 400;\">Patrick Cowley, creator of the remix turned hit\u00a0<\/span><span style=\"font-weight: 400;\">\u00a0I Feel Love de Donna Summer, has in\u00a0<\/span><b><i>Patrick<\/i><\/b><span style=\"font-weight: 400;\">\u00a0a poetic and fair homage.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Other two films have numerous people inside.\u00a0<\/span><\/p>\n<p><b>Sisters With Transistors\u00a0<\/b><span style=\"font-weight: 400;\">is the story to be told of the pioneers of electronic music\u00a0Clara Rockmore, Daphne Oram, Bebe Barron, Delia Derbyshire, Maryanne, Amacher, Pauline Oliveros, Wendy Carlos, Eliane Radigue, Suzanne Ciani, and Laurie Spiegel, names often hidden and forgotten.\u00a0<\/span><\/p>\n<p><b>Nueve Sevillas<\/b> <span style=\"font-weight: 400;\">is a portrait of new generations and costumes of flamenco, amongst which the dancer\u00a0<\/span><span style=\"font-weight: 400;\">Javiera de la Fuente, the poet David Pielfort or the Romani lawyer and feminist Pastora Filigrana and performances of<\/span><span style=\"font-weight: 400;\">\u00a0Ni\u00f1o de Elche, Silvia P\u00e9rez Cruz and Rosal\u00eda<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">And finally a band, and what a band!<\/span><b>Chunky Shrapnel<\/b><span style=\"font-weight: 400;\">\u00a0is an immersive film-concert of the Australian psychedelic band\u00a0<\/span><span style=\"font-weight: 400;\">\u00a0King Gizzard &amp; the Lizard Wizard, that follows the band on their tour in 2019, through Europe, with the album\u00a0Infest the Rats\u2019 Nest on their backs. A film-concert in a year where concerts stopped.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Portuguese music continues to be well represented.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Paulo Antunes, who in 2019 filled the Manoel de Oliveira room, in\u00a0S\u00e3o Jorge, with his previous film\u00a0Um Punk Chamado Ribas, continues on his journey through the Alvalade neighbourhood and national punk, now with\u00a0<b>J\u00e1 Estou Farto!<\/b>,\u00a0<\/span><span style=\"font-weight: 400;\">which puts the focus on\u00a0Jo\u00e3o Pedro Almendra, the stage animal that formed\u00a0Ku de Judas and was the voice of\u00a0<\/span><span style=\"font-weight: 400;\">\u00a0Peste &amp; Sida,\u00a0 PunkSinatra and the rock project<\/span><span style=\"font-weight: 400;\">Os Filhos de Hannibal Lecter, while also being at the genesis of\u00a0<\/span><span style=\"font-weight: 400;\">\u00a0Censurados.\u00a0<\/span><\/p>\n<p><b>Eram 27 Dias e Paraste<\/b><span style=\"font-weight: 400;\">, is a backstage documentary about the latest Noiserv album,\u00a0<\/span><span style=\"font-weight: 400;\">\u00a0\u201cUma palavra come\u00e7ada por N\u201d, at the Lisbon Teatro Tivoli BBVA. <\/span><b>Caudal\u00a0<\/b><span style=\"font-weight: 400;\">is a film about a concert of Solar Corona never to be repeated and\u00a0<\/span><b>We Were Floating High<\/b><span style=\"font-weight: 400;\">\u00a0follows First Breath After Coma during the incredible year of\u00a0 2019, when they released the album NU,\u00a0 before everything changed.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>They jury of the competitive section IndieMusic will award a prize of\u00a0<span style=\"font-weight: 400;\">\u00a01000\u20ac to the best film of the section and is composed of\u00a0<\/span><span style=\"font-weight: 400;\">\u00a0Cl\u00e1udia Guerreiro (Linda Martini), Yaw Tembe (musician e programmer of Teatro do Bairro Alto) and Yen Sung (DJ).\u00a0<\/span><span style=\"font-weight: 400;\">The winner will be announced at the end of the 18th edition of IndieLisboa.<\/span><\/p>\n<p>The programme for the other sections of the festival will be announced soon.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">List of selected films:<\/span><\/p>\n<p><b>Feature Films:<\/b><\/p>\n<p><b>A Symphony of Noise <\/b><span style=\"font-weight: 400;\">(Enrique S\u00e1nchez Lansch \/ Germany)<\/span><b>\u00a0\u00a0\u00a0\u00a0<\/b><\/p>\n<p><b>Chunky Shrapnel<\/b><span style=\"font-weight: 400;\"> (John Angus Stewart \/ Australia)<\/span> <span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n<p><b>Crock of Gold: A Few Rounds with Shane MacGowan<\/b><span style=\"font-weight: 400;\"> (Julien Temple \/ United Kingdom, USA)<\/span><\/p>\n<p><b>Different Johns<\/b><span style=\"font-weight: 400;\"> (Robert Carr \/ France, Germany, Peru, USA)<\/span><\/p>\n<p><b>J\u00e1 Estou Farto! (<\/b><span style=\"font-weight: 400;\">Paulo Antunes \/ Portugal)<\/span> <span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n<p><b>Mimaro\u011flu: The Robinson of Manhattan<\/b><span style=\"font-weight: 400;\"> Island (Serdar K\u00f6k\u00e7eo\u011flu \/ Turkey, USA)\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n<p><b>Ney \u00e0 Flor da Pele<\/b><span style=\"font-weight: 400;\"> (Felipe Nepomuceno \/ Brazil)<\/span> <span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n<p><b>Nueve Sevillas<\/b><span style=\"font-weight: 400;\"> (Gonzalo Garc\u00eda Pelayo, Pedro G. Romero \/ Spain, France)<\/span> <span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n<p><b>Poly Styrene: I Am a Clich\u00e9<\/b><span style=\"font-weight: 400;\"> (Celeste Bell, Paul Sng \/ United Kingdom)<\/span> <span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n<p><b>Sisters With Transistors<\/b><span style=\"font-weight: 400;\"> (Lisa Rovner \/ United Kingdom)<\/span> <span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n<p><b>The Nowhere Inn<\/b><span style=\"font-weight: 400;\"> (Bill Benz \/ USA)\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n<p><b>Shorts<\/b><\/p>\n<p><b>Caudal<\/b><span style=\"font-weight: 400;\"> (Lu\u00eds Sobreiro \/ Portugal)<\/span><\/p>\n<p><b>Eram 27 Dias e Paraste<\/b><span style=\"font-weight: 400;\"> (Jota Assis e Noiserv\/ Portugal)<\/span> <span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n<p><b>Patrick<\/b><span style=\"font-weight: 400;\"> (Luke Fowler \/ United Kingdom)<\/span>\u00a0<span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n<p><b>We Were Floating High<\/b><span style=\"font-weight: 400;\"> (Tiago Gomes \/ Portugal)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From Ney Matogrosso, St. Vincent and Matthew Herbert to Poly Styrene and Shane MacGowan, IndieMusic&#8217;s programme, the IndieLisboa section that merges cinema and music, points a bigger focus to individual stories this year, from international and national punk icons, artists that reinvented themselves and others who are ready to be revealed. These are stories to [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":10037,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[57],"tags":[],"class_list":["post-10463","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/posts\/10463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/comments?post=10463"}],"version-history":[{"count":0,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/posts\/10463\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/media\/10037"}],"wp:attachment":[{"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/media?parent=10463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/categories?post=10463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/tags?post=10463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}