{"id":10414,"date":"2020-06-23T23:17:18","date_gmt":"2020-06-23T22:17:18","guid":{"rendered":"https:\/\/indielisboa.com\/the-portuguese-films-selected-to-indielisboa-2020\/"},"modified":"2020-06-23T23:17:18","modified_gmt":"2020-06-23T22:17:18","slug":"the-portuguese-films-selected-to-indielisboa-2020","status":"publish","type":"post","link":"https:\/\/indielisboa.com\/en\/2020\/06\/23\/the-portuguese-films-selected-to-indielisboa-2020\/","title":{"rendered":"The Portuguese films selected to IndieLisboa 2020"},"content":{"rendered":"

With most of our program already announced on last April 30th, now we announce the national productions selected for the 17th edition of the festival, as part of the National Competition and the Brand New section. The sales for the Early Bird vouchers are also available to the audience starting today. From August 25th to September 5th, IndieLisboa returns to its usual venues with the best and latest national and international cinema.<\/b><\/p>\n

The National Competition, one of the most expected by the audience, presents, for now, five features and 17 shorts. The feature film competition is comprised of <\/span>A Metamorfose dos P\u00e1ssaros \/ The Metamorphosis of Birds<\/i><\/b>, the first feature by Catarina Vasconcelos, screened this year at the Berlinale; <\/span>O Fim do Mundo<\/i><\/b>, by Basil da Cunha, premiered in 2019 in Locarno, and the world premieres of the documentaries <\/span>Ana e Maurizio<\/i><\/b>, by Catarina Mour\u00e3o and <\/span>Entre Leiras \/ The Life We Know<\/i><\/b>, by Cl\u00e1udia Ribeiro, and of the fiction\u00a0<\/span>A Arte de Morrer Longe \/ The Art of Dying Afar<\/i><\/b>, by J\u00falio Alves.<\/span><\/p>\n

\u00a0<\/span>In the short film competition, as usual a section gathering many emerging voices from Portuguese cinema, we specially highlight\u00a0<\/span>O Cordeiro de Deus \/ The Lamb of God<\/i><\/b>, by David Pinheiro Vicente, selected to this year\u2019s Cannes short competition; <\/span>A Mordida \/ The Bite<\/i><\/b>, by Pedro Neves Marques, premiered in Toronto last year; <\/span>Bustarenga<\/i><\/b>, by Ana Maria Gomes, and the world premieres of <\/span>Corte<\/i><\/b>, by Afonso and Bernardo Rapazote, <\/span>Errar a Noite \/ Nightender<\/i><\/b>, by Fl\u00e1vio Gon\u00e7alves, and <\/span>Mesa<\/i><\/b>, by Jo\u00e3o Fazenda.<\/span><\/p>\n

The Brand New section, which presents works by young filmmakers who are taking their first steps, sees the national premiere of <\/span>La Leyenda Negra<\/i><\/b>, by Patricia Vidal Delgado, the first feature film by a Portuguese female director to be shown at Sundance, in addition to 13 shorts of new voices, such as Gon\u00e7alo Pina with <\/span>\u00c0 Tarde, Sob o Sol<\/i><\/b>, Jo\u00e3o Gonzalez with <\/span>Nestor<\/i><\/b>, Camila Vale with <\/span>Selvajaria<\/i><\/b>, among many others.<\/span><\/p>\n

The sales of the Early Bird 10-tickets packs are now open for just \u20ac 25. From the 23rd of June to the 23rd of July, 100 10-tickets packs will be available for this special price – each ticket costs \u20ac 2.50. More information at <\/span>https:\/\/indielisboa.com\/en\/vouchers_eng\/vouchers-early-bird<\/span><\/a><\/p>\n

The full program for IndieLisboa 2020 will be available at the end of July on the official website and mobile app of the festival, announcing new titles and details regarding Special Screenings, Opening and Closing Ceremonies, parallel activities and industry events.<\/span><\/p>\n

List of films announced (more titles to be announced soon):<\/span><\/p>\n

NATIONAL COMPETITION<\/i><\/b><\/p>\n

Features
\n<\/span><\/i>Ana e Maurizio<\/i><\/b>, Catarina Mour\u00e3o, doc., Portugal, 2020, 64′ – World premiere
\n<\/span><\/i>A Arte de Morrer Longe \/ The Art of Dying Afar<\/i><\/b>, J\u00falio Alves, fic., Portugal, 2020, 87′ – World premiere
\n<\/i>Entre Leiras \/ The Life We Know<\/i><\/b>, Cl\u00e1udia Ribeiro, doc., Portugal, 2020, 82′ – World premiere
\n<\/span><\/i>O Fim do Mundo<\/i><\/b>, Basil da Cunha, fic., Switzerland\/Portugal, 2019, 107′ – National\u00a0 premiere
\n<\/span><\/i>A Metamorfose dos P\u00e1ssaros \/ The Metamorphosis of Birds<\/i><\/b>, Catarina Vasconcelos, doc\/fic., Portugal, 2020, 101′ – National premiere\u00a0<\/span><\/i><\/p>\n

Shorts
\n<\/span><\/i>Bustarenga<\/i><\/b>, Ana Maria Gomes, doc., Portugal, 2019, 35′
\n<\/span><\/i>Carnage<\/i><\/b>, Francisco Valente, doc., Portugal, 2020, 9′
\n<\/span><\/i>A Chuva Acalanta a Dor\u00a0\/\u00a0Rain Hums a Lullaby to Pain<\/i><\/b>, Leonardo Mouramateus, fic., Portugal\/Brazil, 2020, 28′
\n<\/span><\/i>Corte<\/i><\/b>, Afonso Rapazote\/Bernardo Rapazote, fic., Portugal, 2020, 28′
\n<\/span><\/i>O Cordeiro de Deus\u00a0\/ The Lamb of God<\/i><\/b>, David Pinheiro Vicente, fic., Portugal, 2020, 15”
\n<\/span><\/i>A Dan\u00e7a do Cipreste\u00a0\/ The Cypress Dance<\/i><\/b>, Mariana Cal\u00f3\/Francisco Queimadela, exp\/doc., Portugal, 2020, 37′
\n<\/span><\/i>Errar a Noite \/ Nightender<\/i><\/b>, Fl\u00e1vio Gon\u00e7alves, fic., Portugal, 2020, 28′
\n<\/span><\/i>Meine Liebe<\/i><\/b>, Clara Jost, exp., Portugal, 2020, 6′
\n<\/span><\/i>Mesa<\/i><\/b>, Jo\u00e3o Fazenda, anim., Portugal, 2020, 7′
\n<\/span><\/i>Mo\u00e7o<\/i><\/b>, Bernardo Lopes, fic., Portugal, 2020, 13′
\n<\/span><\/i>A Mordida \/ The Bite<\/i><\/b>, Pedro Neves Marques, fic., Brazil\/Portugal, 2019, 26′
\n<\/span><\/i>Parto sem dor<\/i><\/b>, Maria Mire, exp\/doc., Portugal, 2020, 22′
\n<\/span><\/i>A Rainha<\/i><\/b>, L\u00facia Pires, fic., Portugal, 2020, 17′
\n<\/span><\/i>Regada<\/i><\/b>, Francisco Janes, exp\/doc., Portugal, 2019, 18′
\n<\/span><\/i>Semanas de areia, meses de cinza, anos de p\u00f3<\/i><\/b>, Rita Macedo, exp\/doc., Portugal\/Germany, 2020, 19′
\n<\/span><\/i>Somewhere in Outerspace This Might Be Happening Somehow<\/i><\/b>, Paulo Malafaya, doc., Portugal, 2019, 17′
\n<\/span><\/i>Suspens\u00e3o<\/i><\/b>, Lu\u00eds Soares, anim., Portugal, 2020, 7′<\/span><\/i><\/p>\n

BRAND NEW<\/i><\/b><\/p>\n

Features
\n<\/span><\/i>La Leyenda Negra<\/i><\/b>, Patr\u00edcia Vidal Delgado, fic., USA\/Portugal, 2020, 84′ – International premiere\u00a0<\/span><\/i><\/p>\n

Shorts
\n<\/span><\/i>Altas as Gaivotas<\/i><\/b>, Marianne Harl\u00e9, fic., Portugal, 2020, 17′
\n<\/span><\/i>Carta a Elba<\/i><\/b>, Helder Faria\/Fl\u00e1vio Ferreira\/Alejandro V\u00e1squez\/Daniela Cajias\/Carmen Tortosa, doc., Portugal, 2020, 18′
\n<\/span><\/i>Club Splendida<\/i><\/b>, Caio Amado Soares, fic., Germany\/Portugal, 2019, 24′
\n<\/span><\/i>Estrada para o C\u00e9u<\/i><\/b>, Pedro Vaz Sim\u00f5es, fic., Portugal, 2020, 17′
\n<\/span><\/i>Laniakea Supercluster<\/i><\/b>, Rodrigo Ralha, doc\/exp., Portugal, 2019, 11′
\n<\/span><\/i>L\u00e1zaro<\/i><\/b>, Concha Silveira\/David Cruces\/Alba Dominguez, exp., Portugal, 2019, 8′
\n<\/span><\/i>Nestor<\/i><\/b>, Jo\u00e3o Gonzalez, anim., Portugal, 2019, 6′
\n<\/span><\/i>Ode \u00e0 Inf\u00e2ncia<\/i><\/b>, Lu\u00eds Vital\/Jo\u00e3o Monteiro, anim., Portugal, 2019, 7′
\n<\/span><\/i>S\u00e1b\u00e0tina<\/i><\/b>, Rafael dos Santos, anim., Portugal, 2019, 2′
\n<\/span><\/i>The Sacrifice of the Druids<\/i><\/b>, Reinaldo Pinto Almeida, doc\/exp., Portugal, 2020, 7′
\n<\/span><\/i>Selvajaria<\/i><\/b>, Camila Vale, fic., Portugal, 2020, 33′
\n<\/span><\/i>\u00c0 Tarde, Sob o Sol<\/i><\/b>, Gon\u00e7alo Pina, fic., Portugal, 2020, 10′
\n<\/span><\/i>Under Current<\/i><\/b>, Alice dos Reis, fic., Portugal, 2020, 16′<\/span><\/i><\/p>\n

Image: <\/span><\/i>A Metamorfose dos P\u00e1ssaros \/ The Metamorphosis of Birds<\/i><\/b>, Catarina Vasconcelos<\/span><\/i><\/p>\n","protected":false},"excerpt":{"rendered":"

With most of our program already announced on last April 30th, now we announce the national productions selected for the 17th edition of the festival, as part of the National Competition and the Brand New section. The sales for the Early Bird vouchers are also available to the audience starting today. From August 25th to […]<\/p>\n","protected":false},"author":3,"featured_media":9910,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[57],"tags":[],"class_list":["post-10414","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/posts\/10414","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/comments?post=10414"}],"version-history":[{"count":0,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/posts\/10414\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/media\/9910"}],"wp:attachment":[{"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/media?parent=10414"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/categories?post=10414"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/tags?post=10414"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}