{"id":10367,"date":"2019-05-12T00:35:08","date_gmt":"2019-05-11T23:35:08","guid":{"rendered":"https:\/\/indielisboa.com\/here-are-the-winners-of-indielisboa-2019\/"},"modified":"2019-05-12T00:35:08","modified_gmt":"2019-05-11T23:35:08","slug":"here-are-the-winners-of-indielisboa-2019","status":"publish","type":"post","link":"https:\/\/indielisboa.com\/en\/2019\/05\/12\/here-are-the-winners-of-indielisboa-2019\/","title":{"rendered":"Here are the winners of IndieLisboa 2019"},"content":{"rendered":"

J\u00daRI DA COMPETI\u00c7\u00c3O INTERNACIONAL DE LONGAS METRAGENS<\/strong>
\nFEATURE FILM INTERNATIONAL COMPETITION JURY<\/em><\/p>\n

Grande Pr\u00e9mio de Longa Metragem Cidade de Lisboa<\/strong>
\nFeature Film Grand Prize City of Lisbon
\n(15.000 Euros)<\/em><\/p>\n

DE LOS NOMBRES DE LAS CABRAS\/ON THE NAMES OF THE GOATS
\nSilvia Navarro, Miguel G. Morales, Espanha, doc., 2019, 62′<\/p>\n

“For its rich and intricate investigation of the recent colonial past and its interaction with earlier times and traditions in the Canary Islands, through expertly chosen and edited archive footage, audio interviews and a completely immersive soundscape, the jury unanimously awards the Feature Film Grand Prize of the City of Lisbon to the Spanish documentary\u00a0On the Names of the Goats<\/em>, directed by Miguel G. Morales and Silvia Navarro.”<\/p>\n

Pr\u00e9mio Especial do J\u00fari Canais TVCine & S\u00e9ries\u00a0| TVCine & Series Channels Special Award<\/strong>
\n(Aquisi\u00e7\u00e3o dos direitos do filme para Portugal\u00a0Rights acquisition for Portugal)<\/em><\/p>\n

Ex-Aequo<\/strong><\/p>\n

S\u0102 NU UCIZI\/THOU SHALT NOT KILL
\nGabi Virginia \u0218arga, C\u0103t\u0103lin Rotaru, Rom\u00e9nia, fic., 2018, 120\u2032<\/p>\n

“For its precisely constructed screenplay that investigates personal morality and collective responsibility, for its impeccable direction and its towering lead performance by Alexandru Sucia, the jury awards the TVCine & Series Channels Special Award to the Romanian drama\u00a0Thou Shalt Not Kill<\/em>, directed by Catalin Rotaru and Gabi Virginia Sarga.”<\/p>\n

JESSICA FOREVER
\nCaroline Poggi, Jonathan Vinel, Fran\u00e7a, fic., 2018, 97′<\/p>\n

“The same award goes to a film of intense seductive power and boldness.\u00a0Within an unconventional visual concept,\u00a0video-game aesthetics and heavy metal, sci-fi genre tropes and medieval initiation rituals, magic realism and poetry alchemically blend together to create an unexpected <hyper-reality>.\u00a0An unsettling vision of a possible future, existing in the realm of the <uncanny> (in the psychoanalytical sense).\u00a0A possible comment on today’s increasing phenomenon of radicalized youth and a post-modern rite of passage into manhood, this shape-shifting film is essentially a meditation on the transformative and healing power of human connection.”<\/p>\n

The award goes to\u00a0Jessica Forever, by\u00a0Caroline Poggi and Jonathan Vinel<\/p>\n

J\u00daRI INTERNACIONAL DE CURTAS METRAGENS<\/strong>
\nSHORT FILM INTERNATIONAL COMPETITION JURY<\/em><\/p>\n

Grande Pr\u00e9mio de Curta Metragem<\/strong>
\nShort Film Grand Prize<\/em>
\n(4000 Euros)<\/p>\n

PAST PERFECT
\nJorge J\u00e1come, Portugal, fic.\/doc.\/exp., 2019, 23\u2032<\/p>\n

“Skilfully condensed and cleverly staged, this film lets you simply indulge in a strong world of images. The film talks about nostalgia and emotion, asking whether feelings were more immediate and authentic in the past. Formally cleverly layered and with always surprising moments, partly with humour, partly biting but often very emotional, this film left strong traces on us.”<\/p>\n

Pr\u00e9mios Turismo de Macau<\/strong>
\nMacao Tourism Awards<\/strong>
\n(500 Euros cada\/each)<\/em><\/p>\n

Anima\u00e7\u00e3o<\/strong>
\nAnimation<\/em><\/p>\n

GUAXUMA
\nNara Normande, Fran\u00e7a\/Brasil, anim., 2018, 14\u2032<\/p>\n

“A sensitive film about a personal story. The filmmaker skilfully guides us through this journey with the application of various techniques and aesthetics. Interwoven, the film has enchanted us and drawn us into the story.”<\/p>\n

Document\u00e1rio<\/strong>
\nDocumentary<\/em><\/p>\n

SWATTED
\nIsma\u00ebl Joffroy Chandoutis, Fran\u00e7a, doc., 2018, 21\u2032<\/p>\n

“We just sat there for a moment\u2026we couldn\u2019t believe it. A prank of a prank, what a game!\u00a0This film gives us the dimension and potential of the today\u2019s world and where it can lead.\u00a0An astonishing research edited and narrated in a seductive and intelligent way. Constructing and deconstructing our reality within 20 minutes.”<\/p>\n

Fic\u00e7\u00e3o<\/strong>
\nFiction<\/em><\/p>\n

THE GIRL WITH TWO HEADS
\nBetzab\u00e9 Garcia, Reino Unido, fic., 2018, 13\u2032<\/p>\n

“From the beginning we were fascinated by the strong cinematographic handwriting. The film captivates with a great rhythm and it\u2019s visual approach. We are very close to the protagonist as she defines her view on femininity finding her place as a woman in society.”<\/p>\n

J\u00daRI DA COMPETI\u00c7\u00c3O NACIONAL<\/strong>
\nNATIONAL COMPETITION JURY<\/em><\/p>\n

Pr\u00e9mio Allianz para Melhor Longa Metragem Portuguesa<\/strong>
\nAllianz Award for Best Portuguese Feature Film
\n(7500 Euros)<\/em><\/p>\n

A MINHA AV\u00d3 TRELOT\u00d3T\u00d3
\nCatarina Ruivo, Portugal, fic.\/doc., 2018, 173′<\/p>\n

“The best film we have seen among the features of National Competition is the film that provoked our strongest emotions. As a portrait of a life lived it generously shares an approach to a close person as much as it is a journey into the past and across continents. The film employs many different formal strategies, all of them a veracious indication of empathy and love. We give the award for Best Portuguese Feature to A Minha Av\u00f3\u00a0Trelot\u00f3t\u00f3<\/em>\u00a0by\u00a0Catarina Ruivo.”<\/p>\n

Pr\u00e9mio Melhor Realizador para Longa Metragem Portuguesa<\/strong>
\nAward forBest Director in a Portuguese Feature Film
\n(1000 Euros)<\/em><\/p>\n

CAMPO
\nTiago Hespanha, Portugal, doc., 2019, 100\u2032<\/p>\n

“We have been passionated about a title that explores a territory, actually a playground, where rituals of life and death take place. A work that confronts man with nature in a dramatic but also humorous way, calling into question mankind’s origins and possible end. A film that reveals the potential of a filmmaker whose presence is essential concerning the force of this film.F or all these reasons, we have agreed to give the award for Best Director in a Portuguese Feature Film to Tiago Hespanha for Campo<\/em>.”<\/p>\n

Pr\u00e9mio Dolce Gusto para Melhor Curta Metragem Portuguesa<\/strong>
\nDolce Gusto Award for Best Portuguese Short Film
\n(2000 Euros)<\/em><\/p>\n

A CASA, A VERDADEIRA E A SEGUINTE, AINDA EST\u00c1 POR FAZER\/THE HOUSE IS YET TO BE BUILT
\nS\u00edlvia das Fadas, EUA\/\u00c1ustria\/Portugal, doc.\/exp., 2018, 35′<\/p>\n

“We are deeply fascinated by the craft and beauty of a militant and poetic film that reflects on the contemporary meaning of architectural utopias and\u00a0dares to share possible worlds with us, so we wanted to give the Dolce Gusto Award for Best Portuguese Short Film to The House Is Yet to Be Built<\/em>, by Silvia das Fadas.”<\/p>\n

Men\u00e7\u00e3o Especial<\/strong>
\nSpecial Mention<\/em><\/p>\n

O MAR ENROLA NA AREIA
\nCatarina Mour\u00e3o, Portugal, fic.\/doc.\/exp., 2019, 16′<\/p>\n

“As we mutually agreed on a film that showed us haunting images of a beach we decided to give a special mention. It is not a special mention as a compromise but one that wants to recognize a work composed of astonishing found footage which blends an intimate and feverish narration of sexual difference and harassment with the daily routines of fascism.\u00a0 We give a special mention to The Hissing of Summer Sands<\/em>\u00a0by\u00a0Catarina Mour\u00e3o.”<\/p>\n

Pr\u00e9mio Novo Talento FCSH\/NOVA<\/strong>
\nFCSH\/NOVA New Talent Award
\n(1500 Euros)<\/em><\/p>\n

PODER FANTASMA
\nAfonso Mota, Portugal, fic., 2019, 23′<\/p>\n

“As we understand the Prize for New Talent as a recognition of promises for a cinema to come we decided to give the award to a film that surprised from beginning to end with its inventiveness, tenor and ruptures in inflection. A film in which the fantastic merges with the comedic while meandering into an image of a protagonist lost in his nocturnal search for sounds.”<\/p>\n

J\u00daRI DA COMPETI\u00c7\u00c3O NOVISSIMOS<\/strong>
\nBRAND NEW COMPETITION JURY<\/em><\/p>\n

Pr\u00e9mio Nov\u00edssimos The Yellow Color +\u00a0Portugal Film<\/strong>
\nThe Yellow Color + Portugal Film Brand New Award
\n(2000 Euros em servi\u00e7os\/in services+promo\u00e7\u00e3o e venda\/promotion and sales)<\/em><\/p>\n

ESTAS M\u00c3OS S\u00c3O MINHAS
\nAndr\u00e9 Ferreira, Portugal, doc., 2019, 8\u2032<\/p>\n

“The tone of the script and the pace of the editing pulls us into the director’s poetic documentary which starts as an observation of a daily routine told through still photography, but soon becomes an emotional reflection on growing old, overcoming loneliness and personal fears.\u00a0The prize of Nov\u00edssimos goes to a love letter to a grandmother: Estas M\u00e3os S\u00e3o Minhas<\/em> by Andr\u00e9 Miguel Ferreira.”<\/p>\n

J\u00daRI SILVESTRE<\/strong>
\nSILVESTRE JURY<\/p>\n

Pr\u00e9mio Silvestre para Melhor Longa Metragem<\/strong>
\nSilvestre Award for Best Feature Film
\n(1500 Euros)<\/em><\/p>\n

Ex-Aequo<\/strong><\/p>\n

“\u00ceMI ESTE INDIFERENT DACA \u00ceN ISTORIE VOM INTRA CA BARBARI2\/\u201dI DO NOT CARE IF WE GO DOWN IN HISTORY AS BARBARIANS\u201d
\nRadu Jude, Rom\u00e9nia\/Rep\u00fablica Checa\/Fran\u00e7a\/Bulg\u00e1ria\/Alemanha, fic., 2018, 140\u2032<\/p>\n

M.
\nYolande Zauberman, Fran\u00e7a, doc., 2018, 106\u2032<\/p>\n

“For the empathy and the artistic integrity displayed by the director on her unsettling journey through the dark secrets of a community the award goes Ex aequo to M.<\/em> by Yolande Zauberman.<\/p>\n

And for the inventive mise en scene and the satirical approach with which the director boldly confronts the bad historical conscience of his country the award goes Ex aequo\u00a0to “I DO NOT CARE IF WE GO DOWN IN HISTORY AS BARBARIANS”<\/em>, by Radu Jude.”<\/p>\n

Pr\u00e9mio Silvestre para Melhor Curta\u00a0Metragem<\/strong>
\nSilvestre Award for Best Short Film
\n(1000 Euros)<\/em><\/p>\n

SETE ANOS EM MAIO\/SEVEN YEARS IN MAY
\nAffonso Uch\u00f4a, Brasil\/Argentina, fic.\/doc., 2019, 42\u2032<\/p>\n

“For its formal ingenuity, and its integration of different staging and narrative methods,\u00a0for the clarity of film language and voice,\u00a0for its communication of a particular political trauma as both intimate and pervasive,\u00a0the jury awards the Silvestre Curtas prize to \u2018Seven Years in May\u2019 <\/i>by Affonso Uch\u00f2a.”<\/p>\n

Men\u00e7\u00e3o Especial<\/strong>
\nSpecial Mention<\/em><\/p>\n

WONG PING\u2019S FABLES 1
\nWong Ping, Hong Kong, anim., 2018, 13\u2032<\/p>\n

“For the irreverence, the humour, the distorted imagery, the new transgressive way of\u00a0working with the fable, the jury awards Wong Ping\u2019s Fables 1<\/em> by Wong Ping a\u00a0special mention.”<\/p>\n

J\u00daRI INDIEMUSIC<\/strong>
\nINDIEMUSIC JURY<\/em><\/p>\n

Pr\u00e9mio IndieMusic<\/strong>
\nIndieMusic Award
\n(1000 Euros)<\/p>\n

BATIDA DE LISBOA\/LISBON BEAT
\nRita Maia, Vasco Viana, Portugal, doc., 2019, 65\u2032<\/p>\n

“It was not easy to come up with a decision.\u00a0Within our own criteria, we attempted to find what we consider to be a junction between music\/cinematography and a standing global sociocultural relevance. And the winner is: Batida de Lisboa<\/em> by Rita Maia and Vasco Viana.”<\/p>\n

J\u00daRI \u00c1RVORE DA VIDA<\/strong>
\n\u00c1RVORE DA VIDA JURY<\/em><\/p>\n

Pr\u00e9mio \u00c1rvore da Vida para Melhor Filme Portugu\u00eas<\/strong>
\n\u00c1rvore da Vida Award for Best Portuguese Film
\n(2000 Euros)<\/em><\/p>\n

INVIS\u00cdVEL HER\u00d3I\/INVISIBLE HERO
\nCrist\u00e8le Alves Meira, Portugal\/Fran\u00e7a, fic., 2019, 27\u2032<\/p>\n

“For the moving and brave way the protagonist materializes the life he imagined without abdicating it\u2019s dimension of dream, and for showing us that it\u2019s on the searching for that we meet the other person, accompanied by the musical dimension of life, the Tree of Life award is given to the film by Crist\u00e8le Alves Meira, Invis\u00edvel Her\u00f3i<\/em>.”<\/p>\n

Men\u00e7\u00e3o Especial<\/strong>
\nSpecial Mention<\/em><\/p>\n

A MINHA AV\u00d3 TRELOT\u00d3T\u00d3\/MY GRANDMOTHER TRELOT\u00d3T\u00d3
\nCatarina Ruivo, Portugal, fic.\/doc., 2018, 173\u2032<\/p>\n

“The Tree of Life jury has decided to attribute a special mention to a documentary with a taste of fiction, that approaches universal issues like memory, growing old, family matters, from a profoundly personal story.\u00a0The special mention is attributed to the film by Catarina Ruivo, A Minha Av\u00f3 Trelotot\u00f3<\/em>.”<\/p>\n

J\u00daRI AMNISTIA INTERNACIONAL<\/strong>
\nAMNESTY INTERNATIONAL JURY<\/em><\/p>\n

Pr\u00e9mio Amnistia Internacional<\/strong>
\nAmnesty International Award
\n(1500 Euros)<\/em><\/p>\n

SETE ANOS EM MAIO\/SEVEN YEARS IN MAY
\nAffonso Uch\u00f4a, Brasil\/Argentina, fic.\/doc., 2019, 42\u2032<\/p>\n

“It wasn\u2019t an easy decision. At the end of many hours of discussion, two stories told in Portuguese, separated by an ocean, ended up on the table. Very different narratives that share the idea of exclusion, of insecurity. One of them about the city\u2019s suburban area whose existence is ignored and oppressed. The other, about the security forces that make the place insecure.\u00a0<\/span><\/p>\n

Even though \u2018Batida de Lisboa\u2019, by Rita Maia and Vasco Viana, has touched us by the way music and culture are a weapon of anti-fascist resistance, for the jury, another film is the winner for it\u2019s urgency of speaking about a country in which the outcast may be a policeman and a policeman may be an outcast. Where women and black, poor and LGBTI+ people are revoltingly beaten. A country where the policeman beats you and won\u2019t let you leave the fringes, condemns you to be another Rafael. The jury has attributed the International Amnesty Award to the brazilian short film by Affonso Uch\u00f4a, Sete Anos em Maio<\/em>.”<\/p>\n

J\u00daRI SANTA CASA<\/strong>
\nSANTA CASA JURY<\/em><\/p>\n

Pr\u00e9mio Santa Casa \u00a0<\/strong>
\nSanta Casa Award<\/em>
\n(500 Euros)<\/em><\/p>\n

PR\u00cdNCIPE KIK-KI-DO: A TOUPEIRA MINEIRA
\nGrega Mastnak, Eslov\u00e9nia, fic., 2018, 5′<\/p>\n

J\u00daRI UNIVERSIDADES<\/strong>
\nUNIVERSITIES JURY<\/em><\/p>\n

Pr\u00e9mio Universidades<\/strong>
\nUniversities Award<\/em><\/p>\n

PRESENT.PERFECT.
\nShengze Zhu, EUA\/Hong Kong, doc., 2019, 124′<\/p>\n

J\u00daRI ESCOLAS<\/strong>
\nSCHOOLS JURY<\/em><\/p>\n

Pr\u00e9mio Escolas<\/strong>
\nSchools Award<\/em><\/p>\n

GUAXUMA
\nNara Normande, Fran\u00e7a\/Brasil, anim., 2018, 14\u2032<\/p>\n

PR\u00c9MIO P\u00daBLICO
\n<\/strong>AUDIENCE AWARD<\/em><\/p>\n

Pr\u00e9mio Longa Metragem
\n<\/strong>Feature film award<\/em><\/p>\n

BAIT
\nMark Jenkin, Reino Unido, fic., 2018, 87′<\/p>\n

Pr\u00e9mio Curta Metragem
\n<\/strong>Short film award<\/em><\/p>\n

GUAXUMA
\nNara Normande, Fran\u00e7a\/Brasil, anim., 2018, 14\u2032<\/p>\n

Pr\u00e9mio do P\u00fablico IndieJ\u00fanior
\n<\/strong>IndieJunior Audience Award<\/em><\/p>\n

BAT\/MORCEGO
\nJulia Ocker, Alemanha, anim., 2019, 4′<\/p>\n","protected":false},"excerpt":{"rendered":"

J\u00daRI DA COMPETI\u00c7\u00c3O INTERNACIONAL DE LONGAS METRAGENS FEATURE FILM INTERNATIONAL COMPETITION JURY Grande Pr\u00e9mio de Longa Metragem Cidade de Lisboa Feature Film Grand Prize City of Lisbon (15.000 Euros) DE LOS NOMBRES DE LAS CABRAS\/ON THE NAMES OF THE GOATS Silvia Navarro, Miguel G. Morales, Espanha, doc., 2019, 62′ “For its rich and intricate investigation […]<\/p>\n","protected":false},"author":3,"featured_media":9807,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[57],"tags":[],"class_list":["post-10367","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/posts\/10367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/comments?post=10367"}],"version-history":[{"count":0,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/posts\/10367\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/media\/9807"}],"wp:attachment":[{"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/media?parent=10367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/categories?post=10367"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/tags?post=10367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}