It is undeniable the importance that sound has in its ability to direct attention when it comes to the moving image. Whether it’s through music, speech, the way it occupies the visual narrative, or the way it enhances feelings and our glance within a scene, the position it occupies in Film is crucial to define how we understand a story. For such reason, this year’s LisbonTalks will be about, almost exclusively, this important creative element of film production, in a set of four debates and masterclasses that will take a look at the different aspects related to sound. Organized in partnership with Universidade Lus\u00f3fona, between May 3rd and May 11th, we’ll be able not only to know more about this specific area, but also to understand a little more about the recent history of sound in cinema through the voice of some of the professionals who have worked in it during the last decades in Portugal and not only.<\/p>\n
As usual, the LisbonTalks will also be the place to meet and debate around both focuses of the Independent Hero section, this year dedicated to the filmography of Anna Karina and recent cinema made in Brazil. The first one will be with Anna Karina herself, the second will host the filmmakers Bruna Carvalho Almeida, Caetano Gotardo, Felipe Bragan\u00e7a, Helv\u00e9cio Marins Jr. and Juliana Antunes.<\/p>\n
Visit the LisbonTalks Universidade Lus\u00f3fona page<\/strong><\/a> to learn everything about them and follow the Facebook event<\/strong><\/a> to never miss any news.<\/p>\n SOUND DESIGN IN CINEMA With: Philippe Ciompi, Vasco Pimentel The most attentive audience member will understand the crucial role sound plays in not only directing our attention within moving images, but also in shaping our understanding of them. Moderated by the filmmaker and sound director Miguel Moraes Cabral, this conversation brings together two veteran sound directors with different experiences and paths \u2013 and many stories to tell \u2013 to question and better understand what it means to work sound for cinema.<\/p>\n Free entrance upon collection of a free ticket on the same day.<\/p>\n MASTERCLASS ON SOUND POST-PRODUCTION<\/strong> With: Miguel Martins<\/p>\n An extended lesson by Miguel Martins, sound editor and mixer and a regular contributor to the films of Miguel Gomes, Salom\u00e9 Lamas, Jo\u00e3o Nicolau and Jorge Cramez, and winner with Vasco Pimentel of a European Film Award for Best Sound Design in the Arabian Nights\u00a0<\/em>trilogy. Miguel will talk about sound post-production focusing on his work in Eldorado XXI\u00a0<\/em>by Salom\u00e9 Lamas and offering practical details.<\/p>\n Free entrance upon collection of a free ticket on the same day.<\/p>\n SOUND IN CINEMA IN THE CONTEXT OF THE ARCHIVES<\/strong> With: Filipe Raposo, Franco Bosco, Nicholas McNair, Manuel Deniz Silva Before the development of technology allowed the infinite possibilities that we know today to sound in cinema, such was an art form which, even though it was labelled \u201csilent\u201d, was in fact seldom so (to paraphrase one of the participants of this panel). Drawing from the work of preservation, restoration and DVD launch of a set of Portuguese silent films carried out by the Cinemateca Portuguesa, two aspects of the work of the restoration of sound in the context of the archives will be explained: on the one hand the composition and performance of musical accompaniment for silent films in a contemporary context, and on the other hand the reconstitution of an original score and its contemporary arranging.<\/p>\n With Franco Bosco, restorer at the Cinemateca Portuguesa, Filipe Raposo, composer and performer of the musical score of Lisboa, Cr\u00f3nica Aned\u00f3tica\u00a0<\/em>(1930) by Leit\u00e3o de Barros, Nicholas McNair, composer and performer of the musical score of Mulheres da Beira\u00a0<\/em>(1922) by Rino Lupo, Manuel Deniz Silva, musicologist who researched the original score of Os Lobos <\/em>(1923) by Rino Lupo, and moderation by Tiago Baptista (Cinemateca Portuguesa\/ANIM).<\/p>\n Free entrance upon collection of a free ticket on the same day.<\/p>\n THINKING AND MAKING\u00a0SOUND\u00a0IN CINEMA With: Branko Neskov, Elsa Ferreira, Joana Niza Braga, Rafael Gon\u00e7alves Cardoso Or is it in reverse order, making and afterwards thinking it? What are the stages of development of the language of sound in cinema and what do they require, from recording, foley and editing to mixing? How is the communication and creative collaboration that takes place between those who do sound and those who film? We gather some of the key sound professionals in Portugal, usually involved in different parts of the process, to understand what entails making\u00a0sound\u00a0in cinema.<\/p>\n Free entrance upon collection of a free ticket on the same day.<\/p>\n CONVERSATION WITH ANNA KARINA<\/strong> Moderated by: Jos\u00e9 Manuel Costa, Maria Jo\u00e3o Madeira<\/p>\n Born Hanne Karin in Denmark, the cult actress is an unavoidable and defining figure of the European cinema of the 60s, a feat she achieved during her twenties. Anna Karina meets the festival audience to talk about her career including\u00a0 several of the most important films that she acted on and that are part of the retrospective made of 17 features and five short films that IndieLisboa and the Cinemateca Portuguesa organized in the context of the Independent Hero section, but also about her less known work as director and scriptwriter.<\/p>\n Free entrance upon collection of a free ticket on the same day, at the box office of the Cinemateca Portuguesa, from 2pm on, maximum of two tickets per person.<\/p>\n ROUND TABLE DISCUSSION BRAZIL IN A TRANCE<\/strong> With: Bruna Carvalho Almeida, Caetano Gotardo, Felipe Bragan\u00e7a, Helv\u00e9cio Marins Jr., Juliana Antunes Moderated by programmer and producer Gustavo Beck, this debate builds on the programme with which IndieLisboa honors Brazilian cinema in the Independent Hero section to talk about the present and the future of this national cinema at a particularly intense and worrying moment in the country\u2019s political and social history. With the attendance of the filmmakers Felipe Bragan\u00e7a (Bring Me The Head of Carmen M.<\/i>), Caetano Gotardo (Your Bones and Your Eyes<\/em>), Helv\u00e9cio Marins Jr. (Homing<\/em>), Bruna Carvalho Almeida (The Young Baumanns<\/em>) and Juliana Antunes (Plano Controle<\/em>), all of whom with recent filmographies, not yet started at the time of the creation of IndieLisboa.<\/p>\n Free entrance upon collection of a free ticket on the same day.<\/p>\n","protected":false},"excerpt":{"rendered":" It is undeniable the importance that sound has in its ability to direct attention when it comes to the moving image. Whether it’s through music, speech, the way it occupies the visual narrative, or the way it enhances feelings and our glance within a scene, the position it occupies in Film is crucial to define […]<\/p>\n","protected":false},"author":3,"featured_media":9755,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[57],"tags":[],"class_list":["post-10347","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/posts\/10347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/comments?post=10347"}],"version-history":[{"count":0,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/posts\/10347\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/media\/9755"}],"wp:attachment":[{"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/media?parent=10347"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/categories?post=10347"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/tags?post=10347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Sound at the LisbonTalks 2019<\/h1>\n
\n<\/strong>3 FRIDAY, 18.00, CULTURGEST, SALA LOUNGE & TALKS, 90\u2032 (English)<\/p>\n
\nModerated by: Miguel Moraes Cabral<\/p>\n
\n6 MONDAY, 18.00,\u00a0CULTURGEST, SALA LOUNGE & TALKS, 120\u2032 (Portuguese)<\/p>\n
\n7 TUESDAY, 18.00, CULTURGEST, SALA LOUNGE & TALKS, 90\u2032\u00a0(Portuguese)<\/p>\n
\nModerated by: Tiago Baptista<\/p>\n
\n<\/strong>9 THURSDAY, 18.00, CULTURGEST, SALA LOUNGE & TALKS, 90\u2032 (Portuguese, English)<\/p>\n
\nModerated by: David Novack<\/p>\nConversations with the Independent Heroes<\/h1>\n
\n8 WEDNESDAY, 19.00, CINEMATECA FR, 90\u2032 (French, with Portuguese translation)<\/p>\n
\n11 SATURDAY, 17.00, CULTURGEST, SALA LOUNGE & TALKS, 90\u2032 (Portuguese)<\/p>\n
\nModerated by: Gustavo Beck<\/p>\n