{"id":10345,"date":"2019-04-27T18:39:02","date_gmt":"2019-04-27T17:39:02","guid":{"rendered":"https:\/\/indielisboa.com\/mouth-of-madness-marathon-cinema-pushing-you-over-the-abyss\/"},"modified":"2019-04-27T18:39:02","modified_gmt":"2019-04-27T17:39:02","slug":"mouth-of-madness-marathon-cinema-pushing-you-over-the-abyss","status":"publish","type":"post","link":"https:\/\/indielisboa.com\/en\/2019\/04\/27\/mouth-of-madness-marathon-cinema-pushing-you-over-the-abyss\/","title":{"rendered":"Mouth of Madness Marathon: cinema pushing you over the abyss"},"content":{"rendered":"<p>It&#8217;s already one of the cult happenings of IndieLisboa. A screening that lasts all night long that proposes a more extreme trip around cinema, one that rips the boundaries of genre and themes, without any kind of taboos. Disconcerting films and fractured themes that one digests better during then night and which happen twice this year. This time around, there isn&#8217;t one but two Mouth of Madness Marathons.<\/p>\n<p>In the first one, scheduled for <strong>May 4th, at Cinema Ideal,<\/strong> no taboo are left one: from the queer wrestling of Cassandro, el Ex\u00f3tico!, who gets on the ring with pink and shiny latex on, to the cowboys who tell stories around the bonfire about a killer Santa Clause (<em>Chowboys: An American Folktale<\/em>) and an evil dress that brings bad luck to its wearer (<em>In Fabric<\/em>), a cannabis vending machine (<em>Tomatic<\/em>) and a man who likes his abductors more than they like him (<em>Braquer Poitiers<\/em>). There are films for every taste, including a special fetish for eggs (<em>Egg Touching<\/em>).<\/p>\n<p>In the second marathon, scheduled for <strong>Saturday<\/strong>, <strong>May 11th<\/strong>, at <strong>Cinema Ideal<\/strong>, we ask: What is the feminine capable of? And we answer: everything! In this set of films that run all throughout the night we get to know: <em>Goldie<\/em> (the instagirl known as Slick Woods) who wins all her daily battles; the friends who know how to have fun all night (<em>Wine Wenche<\/em>s); the Goddess, primitive deity of humanity, who fights against the forces of patriarchy (<em>Seder-Masochism<\/em>); the possibility of creating the perfect lover with a 3D printer (<em>Slug Life),<\/em>\u00a0and, finally Alexa&#8217;s emancipatory journey through a palace that hides forced aesthetic surgeries, oppressive surveillance systems, and a cannibalistic reality TV competition (<em>Make Me Up<\/em>).<\/p>\n<h1><strong>MOUTH OF MADNESS I<\/strong><br \/>\n4th of May, Saturday, 23:00, Cinema Ideal<\/h1>\n<p style=\"text-align: right;\"><a href=\"https:\/\/ticketline.sapo.pt\/evento\/indielisboa-666-maratona-boca-inferno-1-41928\" target=\"_blank\" rel=\"noopener nofollow\"><strong>BUY TICKETS<\/strong><\/a><\/p>\n<p>Total Runtime: 296&#8242;<\/p>\n<p><em><strong>CASSANDRO, EL EXOTICO!<\/strong><\/em><br \/>\nMarie Losier, France, doc., 2018, 73\u2032<\/p>\n<p><em><strong>TOMATIC<\/strong><\/em><br \/>\nChristophe M. Saber, France\/Switzerland, fic., 2018, 20\u2032<\/p>\n<p><em><strong>DOCKING<\/strong><\/em><br \/>\nTrevor Anderson, USA, exp., 2019, 4\u2032<\/p>\n<p><em><strong>FOOD CHAIN<\/strong><\/em><br \/>\nMari Kivi, Liis Kokk, Estonia, anim., 2018, 9\u2032<\/p>\n<p><em><strong>BRAQUER POITIERS<\/strong><\/em><br \/>\nClaude Schmitz, France, fic., 2018, 60\u2032<\/p>\n<p><em><strong>CHOWBOYS: AN AMERICAN FOLKTALE<\/strong><\/em><br \/>\nAdam Brooks, Matthew Kennedy, Conor Sweeney,\u00a0Jeremy Gillespie, Steven Kostanski, Canada, fic., 2018, 9\u2032<\/p>\n<p><em><strong>EGG TOUCHING<\/strong><\/em><br \/>\nPeter Millard, United Kingdom, anim., 2018, 2\u2032<\/p>\n<p><em><strong>THE PROCEDURE 2<\/strong><\/em><br \/>\nCalvin Lee Reeder, USA, fic., 2019, 3\u2032<\/p>\n<p><em><strong>IN FABRIC<\/strong><\/em><br \/>\nPeter Strickland, United Kingdom, fic., 2018, 118\u2032<\/p>\n<h1><strong>MOUTH OF MADNESS II<\/strong><br \/>\n11th of May, Saturday, 24:00, Cinema Ideal<\/h1>\n<p style=\"text-align: right;\"><a href=\"https:\/\/ticketline.sapo.pt\/evento\/indielisboa-667-maratona-boca-inferno-2-41929\" target=\"_blank\" rel=\"noopener nofollow\"><strong>BUY TICKETS<\/strong><\/a><\/p>\n<p>Total Runtime: 282&#8242;<\/p>\n<p><em><strong>A LA POURSUITE DU LAPIN BLANC<\/strong><\/em><br \/>\nMeat Dept, France, anim., 2018, 3\u2032<\/p>\n<p><em><strong>GOLDIE<\/strong><\/em><br \/>\nSam de Jong, USA, fic., 2019, 88\u2032<\/p>\n<p><em><strong>GUY PROPOSES TO HIS GIRLFRIEND ON A MOUNTAIN<\/strong><\/em><br \/>\nBernhard Wenger, Austria, fic., 2019, 13\u2032<\/p>\n<p><em><strong>WIJNWIJVEN<\/strong><\/em><br \/>\nEsther Heerikhuisen, Holland, anim., 2018, 3\u2032<\/p>\n<p><em><strong>SEDER-MASOCHISM<\/strong><\/em><br \/>\nNina Paley, USA, anim., 2018, 78\u2032<\/p>\n<p><em><strong>LAVO<\/strong><\/em><br \/>\nSasha Svirsky, Russia, anim., 2017, 2\u2032<\/p>\n<p><em><strong>CATERPILLARPLASTY<\/strong><\/em><br \/>\nDavid Barlow-Krelina, Canada, anim., 2018, 5\u2032<\/p>\n<p><em><strong>SLUG LIFE<\/strong><\/em><br \/>\nSophie Koko Gate, United Kingdom, anim., 2018, 7\u2032<\/p>\n<p><em><strong>MAKE ME UP<\/strong><\/em><br \/>\nRachel Maclean, United Kingdom, exp., 2018, 85\u2032<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s already one of the cult happenings of IndieLisboa. A screening that lasts all night long that proposes a more extreme trip around cinema, one that rips the boundaries of genre and themes, without any kind of taboos. Disconcerting films and fractured themes that one digests better during then night and which happen twice this [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":9749,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[57],"tags":[],"class_list":["post-10345","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/posts\/10345","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/comments?post=10345"}],"version-history":[{"count":0,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/posts\/10345\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/media\/9749"}],"wp:attachment":[{"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/media?parent=10345"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/categories?post=10345"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/indielisboa.com\/en\/wp-json\/wp\/v2\/tags?post=10345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}