23 MAY — 02 JUNE 2024

23 MAY — 02 JUNE 2024

Reconstruction

Francisco Noronha

Portugal

2022, 14'

No voice and no text, only the power of image and montage. Francisco Noronha builds a portrait of the surroundings of Lisbon as seen by Portuguese cinema, with images from The Green Years by Paulo Rocha (1963) to O Fim do Mundo by Basil da Cunha (2020). In between, there are images of films by Manuel Mozos, João Salaviza and sprinklings of Italian neorealism.

Director’s Cut

INFO

PREMIERE TYPE

World

ORIGINAL TITLE

Reconstrução

LANGUAGE

Portuguese (PT) / Italian

SOUND

Francisco Noronha

EDITING

Francisco Noronha

PRODUCTION

Escola das Artes da Universidade Católica Portuguesa, Calor do Cão

SHARE

SAME SECTION MOVIES

Director’s Cut

Flickering Ghosts of Loves Gone By

This is a work made from films that the director collected, anonymous or amateur by nature, and which he now uses to design a look that encompasses his own life, his family stories, as well as a (clear) obsession with cinema (and sex). A portrait between fiction and reality, between the endearing and the narcissistic, haunted by past loves but full of joie de vivre.

2021, 97'

Director’s Cut

Prism

A collaborative work by the filmmakers An van. Dienderen (Belgium), Rosine Mbakam (Cameroon) and Éleonore Yameogo (Burkina Faso) that explores their different perspectives as filmmakers and their different experiences, as a result of their skin color. The film is divided into three parts, each of which is the responsibility of one of the directors, but the dialogue between the trio is made through recordings where they discuss opinions, conclusions and even lighting techniques.

Eléonore Yameogo, An van. Dienderen, Rosine Mbakam

Belgium / Burkina Faso / Cameroon

2021, 78'

Director’s Cut

Stranger Than Rotterdam with Sara Driver

The narrator is Sara Driver — filmmaker, producer and wife of Jim Jarmusch — who tells the hilarious story of how she smuggled the only copy of the controversial documentary Cocksucker Blues (a film about a tour of the Rolling Stones… for adult eyes only) to the Rotterdam Festival.

Lewie Kloster, Noah Kloster

2021, 9'

Director’s Cut

Terra Femme

A film made up of amateur and home movies, made on trips, by women from the 1920s to the 1940s, who also presented them publicly, with their own commentary regarding what was being seen on the big screen. Stephens curates images from private and public archives to build a vision of the female cinematographic gaze and its relation to the very spirit of the traveler.

Courtney Stephens

2021, 62'

Director’s Cut

The History of the Civil War

The Soviet pioneer of documentary film presents turbulent episodes of the civil war that followed the Russian revolution of the early 20th century and includes images of historical figures such as Trotsky. This film was considered lost (or reused in other works by the director), but it is finally presented to the public, a century later, given the reconstruction work by the academic Nikolai Izvolov.

2021, 94'

Director’s Cut

The Timekeepers of Eternity

Ten strangers wake up on a red-eye from Boston to Los Angeles, discovering, in a panic, that the rest of the passengers and crew have disappeared. So begins a novella by Stephen King, later adapted into a mini-series by Tom Holland, in 1995. Now, it is Holland’s TV show that is transformed and reconstructed through animation and collage techniques in this experimental film that enhances the themes and the actors’ performances. A hypnotic descent into madness.

Aristotelis Maragkos

Greece / United Kingdom

2021, 62'