23 MAY — 02 JUNE 2024

23 MAY — 02 JUNE 2024

Journalités 1

Frédérique Devaux

France

1995, 34'

A diary over 12 years transformed into a non-objective film that reports relevant events for the author and his relationship with the artistic and literary movement Lettrism, founded by Isidore Isou.

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Journalités 1

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AI (Love)

A Japanese avant-garde film that is a poem-made-cinema for its use of surrealist imagery, presenting a sensual look at the human body.

Takahiko Iimura

1963, 10'

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All You Can Eat

In liberative fashion, or apotheotic exorcism, a collage of moments of male sexual pleasure.

Michael Brynntrup

1993, 5'

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Allers venues

Among domestic animals, a month is spent in the countryside, in the south of France. A group of friends rents a house and enjoy the summer.

Vivian Ostrovsky

1984, 12'

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Broadcuts

A video composed of sound and visual sampling of news from around the world, made in collaboration with Painè Cuadrelli.

Claudio Sinatti

2000, 7'

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Classic Lesbian Films: Dyketactics

An exploration of the identity of the woman as a lesbian, which mixes the materiality of the film with the tangibility of the female body, creating an aesthetic of its own.

1974, 4'

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Debris

An appropriation-of-an-appropriation of videos from Instagram, YouTube, video games and public archives that (re)compose wrecked memories.

Giuseppe Boccassini

Italy / Germany

2017, 11'

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Dialogue: A Portrait of Slavoj Žižek

Žižek speaks, but his image is deconstructed until nothing, or everything, makes sense.

Colectivo Los Ingrávidos

2019, 8'

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Dream Work

Eleven minutes of confusion, in which the viewer enters a dream world where the conscious and unconscious overlap. Is it the resting woman who sinks into sleep or the film that sinks into her?

Peter Tscherkassky

2001, 11'

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Ecce Homo

Images from Jean Genet’s Un Chant d’Amour are interspersed with images of sexual scenes between men, raising questions about subversion and taboos.

Jerry Tartaglia

1989, 7'

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Eût-Elle Été Criminelle…

The end of World War II included the harrowing public punishment of women who had relationships with German soldiers during the occupation.

Jean-Gabriel Périot

2006, 9'

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FragMANts

In the slot machine of capitalism, it’s not things but consumption itself that is our god.

2019, 6'

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Intimated Diary

In the mirror, a man reveals himself, without the aesthetic armor (contact lenses, dentures) of everyday life in public.

Jean-Gabriel Périot

2000, 2'

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Like A Passing Train 1

The imminent danger of the passing train vortex. But it’s okay, it’s just an image on the screens that are the windows of this apartment.

1978, 3'

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Miles

A cinematic portrait of filmmaker Miles McKane, by Yann Beauvais, both Light Cone founders.

1983, 3'

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Mit Mir

A woman and her double in a caressing game.

2000, 3'

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No Film

Michael Brynntrup’s first internet-related film is a one-minute ode to rhythm in the age of reproducibility. Would Walter Benjamin approve?

Michael Brynntrup

2000, 1'

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Notebook

A frenetic and personal film, marked by the randomness of the subjects, like a notebook of thoughts collected over time.

1963, 10'

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Or Anything at All Except the Dark Pavement

Everything seems strange until, in a two-folded tracking shot, the beauty of the night is revealed.

2011, 5'

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Prelude

The solitude in the midst of the crowd that walks in a space with no indication of its location, with no sounds. Only the fragments of dialogue captured by a self-learning program give the images a narrative.

2007, 3'

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Sexe – Thym

A deep zoom shot that plays with the definitions of sexe (sex or sexual organ) and thym (thyme), which rhymes with the English word time, creating a game with words and images.

Nathalie Harran

1993, 1'