23 MAY — 02 JUNE 2024

23 MAY — 02 JUNE 2024

Simon Calls

Marta Sousa Ribeiro

Portugal

2020, 84'

Composed of three chapters and filmed over five years, encompassing different formats, Simon Chama deals with the protagonist’s response to his parents’ divorce and how it shapes his future.

In a back and forth movement between the past and the present, Marta Sousa Ribeiro presents us with her first feature film. Simon is the bittersweet moment of adolescence, where freedom has a name on it and never seems enough. Where car journeys are endless and siblings unbearable. Where we are alright where we are not, the being beyond. The eternal daydreaming of those who grow up outside the big city, and where wonderful trips are only those that fly inside our heads. Simon Calls is a dance of image formats that transport us from the 90’s to the present, and remind us of the beautiful and cruel rite of passage that is being a teenager. (Inês Lima Torres)

National Competition

INFO

PREMIERE TYPE

National

ORIGINAL TITLE

Simon Chama

LANGUAGE

Portuguese (PT) / French

CAST

Simon Langlois, Rita Martins, Mariana Achega, Bernardo Chatillon, Miguel Orrico

PHOTOGRAPHY

Manuel Pinho Braga, Guilherme Daniel, Víctor Ferreira

SOUND

Bernardo Theriaga, Nuno Henriques

EDITING

Tiago Simões, Marta Sousa Ribeiro

PRODUCER

Joana Peralta

PRODUCTION

VIDEOLOTION, Videolotion

BIO

Marta Sousa Ribeiro was born in Lisbon in 1992. In 2011, she interrupted her Cinema course in Escola Superior de Teatro e Cinema to enrol in Drawing and Painting at Ar.Co. She directed her first short film in the same year, AmareloAzulPretoAmarelo. In 2014, she co-founded a cinema and video production company, Videolotion, where she produced director Pedro Cabeleira’s Verão Danado (2017). She directed the fifth episode of the Subsolo web series and was, among others, executive producer in the feature film Ama Romanta by Vasco Bação, part of the IndieLisboa 2019 programme.

SHARE

SAME SECTION MOVIES

National Competition

13 Ways of Looking at a Blackbird

The result of a year-long collaboration between Ana Vaz and two high school students, Vera Amaral and Mário Neto, this is a kaleidoscopic film about what it is to look, to be looked at and about the latent potential of cinema.

2020, 32'

National Competition

Blindman’s Buff

An investigation regarding vulnerability and security, challenge and resistance, as well as the figures that still haunt the city streets.

Tomás Paula Marques

2021, 16'

National Competition

Catatonia

A metaphor for the precarious labor conditions experienced by a generation represented through three friends. One of them, surviving on odd jobs to make ends meet, finds Ivo, a friend who seems completely catatonic or sleepwalking. A saga to help him begins.

Tiago Rosa-Rosso

2020, 22'

National Competition

Echoe of a punch on the bone

A film divided into two moments. First, a dinner provides space for friends to share stories of being an immigrant in Lisbon, ending with Nina regretting her return to her country of origin for a job. Consequently, an unwanted answer to that lament becomes a nightmare.

Gabriela Giffoni

2021, 26'

National Competition

Fold

Hands searching the green moss, feet treading dead and crunchy logs, stones turned in search of hidden treasures, a frog nudged until it runs away. This is Dobra’s visual and aural universe, but the door opens for something darker to enter.

Gonçalo Robalo, Rita Figueiredo

2021, 13'

National Competition

Garças

After a painful nose operation, Gabriela spends a sweltering summer vacation with her parents in a house in the country. Still in convalescence, she enjoys the attention and pampering that surrounds her — until the arrival of her parents French friends.

Gabriela Nemésio Nobre

2020, 20'

National Competition

Granary Squares

In Granary Squares, our perspective is that of the surveillance camera over a new development in King’s Cross, London. Over the course of an hour, we get closer through this lens to a series of everyday moments lived in the square, in a zoom that keeps narrowing down.

United Kingdom / Portugal

2021, 64'

National Competition

Imaginary Dead End

Fábio travels the streets of Mouraria with the tension of someone who has to solve a problem that has no solution. When trying to pay off a debt with a client, forbidden and oppressed feelings rise up. And the problems grow denser.

Romano Cassellis

2020, 13'

National Competition

Jack’s Ride

Jack is Joaquim Calçada, a former aircraft mechanic. Before the Carnation Revolution, he emigrated to New York, where he became a taxi driver. He returns, as Carmen Miranda sang, “Americanized”, after twenty years. It’s in Alhandra, Vila Franca de Xira, that, one step away from retirement, he tells stories of his time in the United States and of a journey guided by his survival instinct.

2021, 70'

National Competition

Last Days of Emanuel Raposo

Whether we classify it as a mockumentary or a pseudocumental short, this movie is a fun journey through the last days on the job of the presenter of the Azorean television variety program “Meia Hora com Emanuel Raposo”.

2021, 47'

National Competition

Rock Bottom Riser

Fern Silva’s first feature film is an essay-film produced in Hawaii, which mixes cinematographic genres that range from documentary to animation, as well as themes that touch upon astronomy, geology and ethnography. While exploring what unites human beings with the nature that surrounds them and the cosmos that encloses them, this film also looks at the impact of colonialism on that same island.

2021, 70'

National Competition

Romy

Two older classmates take advantage of a P. E class to try, with younger students, a game that will teach them a lesson: “split up along a field, stay within the lines of your individual territories and see what happens”.

Bernardo de Jeurissen

2021, 12'

National Competition

Silvestre

A protagonist in limbo, with a precarious work situation, a temporary home location. And a hidden facet of his life that he reveals to few.

Rúben Gonçalves

2021, 34'

National Competition

Sleep Tight

A delicate film, like a dollhouse, that shows a touching connection between grandmother and grandson and how both function as each other’s safe havens — especially when a naughty character tries to instill some fears in them.

2021, 21'

National Competition

Sopro

A documentary that spends time with Marion and Peter, a Dutch couple who lost their farm in the fire that devastated Pedrógão Grande in the summer of 2017. In the aftermath of the catastrophe, they try to rebuild what they can, with the little they have.

2021, 43'

International Competition National Competition

The Shift

At first nothing seems to load Anna with worries or weights during a short trip, in the company of her dog. But the environment begins to change when entering the supermarket. While viewing the shelves, the displays, she does mental calculations. Until the call.

United Kingdom / Portugal

2020, 9'

International Competition National Competition

Tracing Utopia

A virtual journey through the dreams and desires of a group of queer teenagers from New York, a Generation Z that sees the world with different eyes and with hope for the future. A movie that illustrates the importance, and the power, of finding a community.

Catarina de Sousa, Nick Tyson

2021, 27'

International Competition National Competition

Transportation Procedures For Lovers

A synesthetic experience that, between the story of a couple who broke up and a phone call to Fedex asking if they would transport people, meditates on what are the best methods of getting closer to those you love.

Brazil / Portugal / Spain

2021, 9'

National Competition

Um Quarto na Cidade

A Room in Town is a game of references and a tribute to director Jacques Demy. It’s also an opportunity for the two directors to recall Demy’s A Room in Town (the film’s namesake) and The Umbrellas of Cherbourg and the importance these movies had for them.

João Pedro Rodrigues, João Rui Guerra da Mata

2020, 5'

National Competition

We Won’t Forget

A large house where a daytime party takes place. The camera follows a woman whose malaise begins to bubble to the surface, until a moment of agitation paralyzes the festivities, while being instigated, filmed and contained by the different people present.

Edgar Morais, Lucas Elliot Eberl

2021, 14'